ZooScope

Tag: HAR: Imagination/Representation

  • Howl’s Moving Castle. Dir. Hayao Miyazaki. Studio Ghibli. 2004.

    There is a surprising lack of non-human animal representation in Studio Ghibli’s 2004 film Howl’s Moving Castle, despite an overarching theme which frequently pits an idyllic pastoral version of Japan against a threateningly industrial one. The major depiction of human-animal relations is that of secondary protagonist Howl as he gradually transforms into a bird-like creature…

  • Wall – E. Dir. Anrew Stanton. Pixar. 2008.

    In its depiction of a film-world defined by its lack of natural life, Pixar’s WALL-E (2008) features only one animal: WALL-E’s charismatic companion, Hal the cockroach.

  • Oldboy. Dir. Park Chan-wook. Show East & Tartan Films. 2003.

    Park Chan-wook’s 2003 film Oldboy is at its core a thriller, a revenge story of Oh Dae-su (played by Choi Min-sik) imprisoned in a room for 15 years without any knowledge of the reasons why, and who is then suddenly released back into the world and told by his captor to try to work out…

  • D-War : Dragon Wars. Dir. Hyung-rae Shim. Freestyle Releasing, Showbox. 2007.

    The movie, D-War : Dragon Wars, begins with introducing the Korean legend of the ascension of Imoogi, a gigantic pre-dragon stage serpent. Every 500 years, one good Imoogi was rewarded with a chance to become a dragon, and it had to receive the gift of the Yuh-yi-joo, a magical pearl from heaven, to become a dragon.…

  • Coco. Dir. Lee Unkrich. Walt Disney Studios Motion Pictures. 2017.

    Lee Unkrich’s Coco (2017) is built on similar foundations of recent Disney/Pixar releases alike Moana(2016) and The Good Dinosaur(2015); twelve year old Miguel’s (Anthony Gonzalez) dream of becoming a musician compromises his family’s ban on music and their hope for Miguel to continue the family business.[i]Yet what may feel like recognisable narrative territory, the enriched setting of traditional Mexico…

  • Twelve Monkeys. Dir. Terry Gilliam. Universal Pictures . 1996.

    Twelve Monkeys begins: human beings whoop and rattle in cages, buried deep underground. Wild animals roam free in the streets; in the churches, on top of this underground prison. But who dug the hole? The animals or the human… …beings? The deadly virus which forced the survivors to flee underground came from the animals. But the…

  • The Cat Returns. Dir. Hiroyuki Morita. Toho. 2002.

    The Cat Returns (2002) is a Japanese fantasy film animated by Studio Ghibli, which follows dissatisfied schoolgirl Haru Yoshioka, who after saving a cat from a road collision, discovers she has the ability to talk to cats. Upon saving the feline it is revealed that this individual is none other than Prince Lune, Heir to the…

  • Enemy. Dir. Denis Villeneuve. E1 Films. 2013.

    Denis Villeneuve’s Enemy follows Adam, played by Jake Gyllenhaal, a history professor, disillusioned with life and suffering from a feeling of social malaise, and Anthony, played by Jake Gyllenhaal, a wannabe actor who regularly cheats on his pregnant wife. Adam sees Anthony as an extra in a movie and becomes obsessed with him. Anthony is eventually killed…

  • Fantastic Beasts and Where to Find Them. Dir. David Yates. Warner Bros. Pictures. 2016.

    Courage, nerve, chivalry, the makings of a true her- oh? This story is about a Hufflepuff? Newt Scamander (played by Eddie Redmayne) is not from Gryffindor, he bears no lightning scar, and he is well beyond the teenage wizard angst of the Harry Potter series. Instead of a Chosen One, our hero is a… Magizoologist. We meet…

  • Arrival. Dir. Denis Villeneuve. Paramount Pictures. 2016.

    When I think of science fiction films, I immediately think of two things: aliens and explosions. Arrival plays with these expectations of the genre, asking the viewer to look at aliens in a way they’re not used to. Taking Villeneuve’s vision of the alien to be a non-human creature, it is appropriate to categorise the aliens in Arrival as…