ZooScope

Tag: HAR: Imagination/Representation

  • Bee Movie. Dir. Steve Hickner and Simon J. Smith. DreamWorks. 2007.

    This textbook human thinking opens Bee Movie [2], an animation which follows the film’s aptly alliteratively named protagonist, Barry B. Benson, an aspiring bee, on his search for individuality in a conformist bee society that has worked non-stop for ‘27 million years’. Barry, disillusioned at the thought of working for the rest of his life…

  • Aladdin. Dir. Ron Clements and John Musker. Disney Studios. 1992.

    Ron Clements’ and John Muskers’, Aladdin (1992) [1]  follows the life of a poor street dweller and his sidekick monkey, Abu in the fictional city of Agrabah. After being coerced into entering the subterranean ‘cave of wonders’ by the villain Jafar and his accomplice parrot, Iago, Aladdin retrieves a magic lamp containing a genie. With the…

  • Anita and Me . Dir. Metin Hüseyin. BBC. 2002.

    Auntie Shaila and her family arrive early in the film, the last of many Indian families who have come to see Meena’s family. The scene recreates the overarching approach of the film, where humour serves to subdue and ridicule racism.

  • Ratatouille. Dir. Brad Bird, Jan Pinkava. Pixar. 2007.

    Brad Bird’s Ratatotuille challenges how we stereotypically perceive rats through the depiction of the protagonist, Remy. The narrative shows Remy struggling with finding acceptance in human society, despite the exceptional cooking talents he has to offer. In anthropomophising Remy to directly challenge our negative perception of rats, Ratatouille promotes wider messages of hope and perseverance for the underdog, as…

  • Big Fish. Dir. Tim Burton. Columbia Pitures. 2003.

    Tim Burton’s, Big Fish [1] follows the life of the charismatic Edward Bloom in his search for adventure far from the confines of his small town in Alabama. Upon leaving his town, his hedonistic search for excitement becomes chaotic and animalistic as he is led primarily by his primitive desires, such as sexuality. This is particularly…

  • Ratatouille . Dir. Brad Bird and Jan Pinkava . Walt Disney Pictures. 2007.

    The final shot of Ratatouille, the image of a rat in the restaurant sign, symbolises the fantasy of the rat and human worlds crossing, and the idealisation of a rat chef being accepted by human society. However, this is ultimately impossible, as darker themes lurk beneath this image. The sign features a silhouette of a rat…

  • Beauty and the Beast . Dir. Gary Trousdale and Kirk Wise. Buena Vista Pictures. 1991.

    Beauty and the Beast, Disney’s early 90s offering follows the protagonist Belle, a clever and beautiful woman. Frustrated at her small town life, she hungers for adventure. She rejects the relentless advances of Gaston, the loathsome but handsome villain and instead falls in love with a ‘hideous beast’; a former prince who has been cursed…

  • IRIS. Dir. Albert Maysles. Magnolia Pictures. 2014.

    There are few people who wouldn’t be intrigued by Iris Apfel. The nonagenarian fashion icon with statement eyewear, accessories hanging like Christmas decorations, and a unique outlook on life. It is no wonder then why legendary documentarian Albert Maylses focuses on her as subject of his penultimate documentary film, IRIS (2014). Plunging us deep into her creative…

  • Gremlins. Dir. Joe Dante. Warner Bros.. 1984.

    An inventor of dubious talent visits Chinatown trying to find his son a Christmas present, where he is sold a strange fluffy creature; a Mogwai. The creature comes with three rules: do not expose it to bright light, do not get it wet, and do not feed it after midnight. Within due time however, all…

  • Donnie Darko. Dir. Richard Kelly. Newmarket Films, Pandora Cinema, United Artists. 2001.

    Set in 1988, Richard Kelly’s popular cult classic Donnie Darko deals with the teenage title character’s battle with diagnosed paranoid schizophrenia, fits of violent behaviour, and cynicism towards established institutions. Unlike other ‘ordinary’ 16 year olds, Donnie (Jake Gyllenhaal) has thoughts that are plagued by a man-sized rabbit (James Duval) that simultaneously saves him from, and then…