ZooScope

Tag: Gendering

  • Of Horses and Men (Hross í oss). Dir. Benedikt Erlingsson. Film Europe. 2013.

    Benedikt Erlingsson’s directorial debut Of Horses and Men (2013) is best described as a series of interlocking fables, focusing on six sets of neighbours living in an isolated Icelandic valley. Linked by their passion for horsemanship, the vignettes introduce us to: a courting couple with equally frisky horses; an alcoholic whose penchant for hard liquor…

  • Toy Story. Dir. John Lasseter. Pixar. 1995.

    ‘You’ve got a friend in me’ is the catchphrase of Pixar’s first computer-generated feature-length film, Toy Story (1995), and this perfectly captures the relationships within the film; including those between the group of toys the plot centres around. The film follows the lives of these toys, in which the mix of human and animal characters come to…

  • Gone Girl. Dir. David Fincher. 20th Century Fox. 2014.

    On the morning of his fifth wedding anniversary, Nick Dunne receives an unexpected phone call from his neighbour, who has spotted his indoor pet cat wandering outside the house. When Nick returns, not only does he discover that his cat has been misplaced, but his wife, Amy has disappeared too. Leaving a staged crime scene…

  • Gone Girl. Dir. David Fincher. 20th Century Fox. 2014.

    Stereotypically, cats are represented as sly, sexy, intelligent, manipulative and mysterious creatures, and all of these characteristics are embodied in Gone Girl’s (dir. David Fincher, 2014) complex anti-heroine Amy Dunne. In order to understand Amy’s immensely complicated character, who only exists in flashbacks during the film’s opening scene, the film projects Amy’s character onto her husband Nick’s…

  • The Squid and the Whale. Dir. Noah Baumbach. Sony Pictures, Samuel Goldwyn Films, Destination Films. 2005.

      The Squid and the Whale is a film all about conflict. It tracks the divorce of a couple of New York intellectuals and the effect it has on their two sons. The film opens with a line from the younger boy, Frank; ‘mom and me versus you and dad,’ cleverly summing up the central…

  • Isle of Dogs. Dir. Wes Anderson. Fox Searchlight Pictures. 2018.

    Wes Anderson’s 2018 film Isle of Dogs depicts a dual representation of animals. The film’s plot is largely focused on the escapades of dogs, and for the most part these animals are highly anthropomorphised by Anderson’s direction. On the other hand, the majority of the humour in the film is constructed by Anderson occasionally reversing…

  • The Witch. Dir. Robert Eggers. A24. 2015.

    Robert Eggers’s 2015 independent horror film The Witch encounters human-animal relations in reference to a manmade issue – religion and the occult. I argue that such a representation of humans living alongside animals in the context of a restricted, puritanical environment of their own making exists because of how the characters decide to build their own isolation.…

  • Bringing Up Baby . Dir. Howard Hawks. RKO Radio Pictures. 1938.

    Howard Hawks created a mass of parallels between the female and the leopard Baby in Bringing Up Baby. He displays a classical Hollywood screwball gender notion – women are wild while men are sensible. It is obvious that the female protagonist Susan has a closer relationship with the wild animals than everyone else in the film.…

  • Bringing up Baby. Dir. Howard Hawks. RKO Radio Pictures. 1938.

    Bringing up Baby is a film which explores the relationship between humans and animals through the use of doubling. This is particularly evident in the scene where Susan lets a wild leopard escape from a circus and culminates in the scene where the leopard is wrangled into a jail cell by David. The use of doubling…