Tag: Format: Feature film

  • Parasite. Dir. Bong Joon-Ho. CJ Entertainment. 2019

    Parasite. Dir. Bong Joon-Ho. CJ Entertainment. 2019

    Bong Joon-Ho’s 2019 black comedy thriller Parasite uses pet dogs to extend the presentation of wealth disparity and examine the human hierarchy system established within the film. The plot explores the relationship between the lower-class Kim family as they gradually infiltrate the Park family through fraudulent employment and fulfil domestic roles within the upper-class Park…

  • The Handmaiden. Dir. Park Chanwook. 2016. CJ Entertainment. South Korea.

    The Handmaiden. Dir. Park Chanwook. 2016. CJ Entertainment. South Korea.

    Content Warning: This post contains images of a sexual nature including artistic depictions of bestiality.

  • Lamb. Dir. Valdimar Jóhannsson. Sena. 2021

    Lamb. Dir. Valdimar Jóhannsson. Sena. 2021

    Like a lamb to the slaughter, the slow-burn, absurd surrealness of A24’s Lamb (2021) leads the audience to an end that blends both chilling twists and heartbreaking loss as the complications that are inevitable with blurring binaries between human-animal relations come to fruition. In a playful, sardonic reconfiguration of oppositions between captivity and freedom, wildness…

  • Felidae. Dir. Michael Schaack.Wild Bunch. 1994.

    Warning- this article will contain graphic animated imagery as well as major spoilers for the film Felidae (1994) “What I was watching wasn’t exactly a scene out of The Aristocats.” -Francis in Felidae Released in 1994, the cult neo-noir film Felidae immediately sets itself apart from its earlier animated feline predecessors, with Schaack’s adaptation refusing…

  • Ant-Man. Dir. Peyton Reed. Marvel Studios. 2015.

    Ant-Man. Dir. Peyton Reed. Marvel Studios. 2015.

    ‘You’ve yet to learn about your greatest allies: the ants. Loyal, brave, and your partners on this job.’ As you’ve undoubtedly predicted from the title, ants play a huge role in Marvel’s Ant-Man[1] (2015). Master burglar Scott Lang, recently released from prison, is determined to cease his criminal ways so he can become a proper…

  • Dumbo. Dir. Tim Burton. Walt Disney Studios. 2019.

    Magic. Mayhem. Friendship. Freedom. Come on down to Medici’s circus, where the newest attraction is an adorable baby elephant with ears too big to handle. Watch him soar above and follow his heart as he dreams of being reunited with his mother, so tragically torn apart! Follow him to Vandevere’s circus, where he is a…

  • Togo. Dir. Ericson Core. Walt Disney Studios. 2019

    In Togo (2019)[1], directed by Ericson Core, the eponymous canine hero recovers from a potentially devastating injury, portrayed as being due to Togo’s incredible relationship with trainer Seppala. Core utilises the emotional score composed by Mark Isham, as well as focusing on the ‘love story between a man and his dog’[2]. This sequence cements the…

  • 2001: A Space Odyssey. Dir. Stanley Kubrick. Metro-Goldwyn Mayer. 1968.

    As with the majority of Stanley Kubrick’s filmography (we’ll mutually agree to exclude Fear and Desire from this conversation), 2001: A Space Odyssey has been subjected to extensive film analysis and criticism. This article will explore the implications of the film’s perpetuation of sociologically-constructed human-animal boundaries in order to articulate the commonality of violence across…

  • The Lion King. Dir. Jon Favreau. Walt Disney Pictures and Fairview entertainment. 2019.

    Jon Favreau’s 2019 recreation of The Lion King is something David Attenborough would be proud of, or is it? Disney seems to have a habit of reproducing the same stories, and after 25 years that’s just what they did with their animated animal take on Hamlet. Favreau’s CGI Lion King tells the story of a…