Tag: Feature Length
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Seven Pounds. Dir. Gabriele Muccino. Sony Pictures. 2003
Seven Pounds is a 2003 drama film directed by Gabriele Muccino which explores the relationship between humans and non-human animals, specifically focusing on the bond between human and dog. The film highlights how through feelings of trust and dependency, combined with overcoming societal stereotypes, both humans and dogs can utilize the time they spend together…
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The Shallows. Dir. Jaume Collet-Serra. Columbia Pictures. 2016.
The Shallows uses the tale of Nancy (Blake Lively), a surfer alone and vulnerable in the picturesque coasts of Mexico only to be aggressively hunted by a great white shark with a taste for skinny blonde models (shock). SinceΒ Jaws, sharks have become a symbol of fear – an immediate indication of danger within the cinematic…
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Ted 2. Dir Seth MacFarlane. Universal Pictures. 2015.
Ted 2 is the second instalment of the Ted series in which John (Mark Wahlberg), as a child wishes for his teddy bear, Ted (Seth MacFarlane), to come to life. What follows is thirty-something years of memories, shenanigans and improper behaviour. The first film follows the pair as John finally learns to ‘grow up’. We find…
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The Lighthouse. Dir. Robert Eggers. A24. 2019.
“π©πππ πβπππππ πππ πππππ ππ. π°π βπππ πππ πππππ ππ πππππππ ππππ πππ πππππ πππππ.” The Lighthouse is a film about madness and evil. The film uses the arrival and death of a seagull, at the hands of Thomas, to explore the threshold between sanity and madness, and our capacity for evil. Thomasβ sanity is questioned…
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The Watchmen. Dir. Zach Snyder. Warner Bros. 2009.
What can dogs tell us about criminality? With regards to Zach Snyderβs Watchmen, the answer is βquite a lot.β Dogs are used within the film to align the binaries of legality and criminality with humanity and animality. There is a particular focus on the possibilities of transgression, as both the anti-hero and the villain commit…
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Once Upon a Time in Hollywood. Dir. Quentin Tarantino. Columbia Pictures. 2019
Quentin Tarantinoβs ninth feature film is wistfully reminiscent of a bygone era, a self-reflexive artefact devoted to the zeitgeist of the closing chapter of Hollywoodβs golden era. For two hours and forty minutes, the director lays bare his musings on cinema which read less like a narrative and more like a very thorough character study…