Tag: Feature Length

  • Gremlins. Dir. Joe Dante. Warner Bros.. 1984.

    An inventor of dubious talent visits Chinatown trying to find his son a Christmas present, where he is sold a strange fluffy creature; a Mogwai. The creature comes with three rules: do not expose it to bright light, do not get it wet, and do not feed it after midnight. Within due time however, all…

  • Duma. Dir. Caroll Ballard. Warner Bros Pictures. 2005.

    Duma. Dir. Caroll Ballard. Warner Bros. Pictures. 2005. Duma follows the narrative of a young boy named Xan embarking on an epic adventure to release his pet cheetah, Duma, to the wild. The ever-looming inevitability of Xan and Duma’s separation is the emotional core of the film, and Ballard’s depiction of their perilous journey together explores…

  • Seven Psychopaths. Dir. Martin McDonaugh. CBS Films. 2011.

    Callum HowkinsMonday 16 January 2017 At the core of its various subplots, Seven Psychopaths revolves around a situation in which a trio of criminals steal dogs in order to claim the reward money offered by the owners. It becomes apparent that the animal is a vital part of this film, serving as a framing device for the…

  • Scott Pilgrim vs The World. Dir. Edgar Wright. Universal. 2010.

    Joseph MackayMonday 16 January 2017 Scott Pilgrim vs The World, a film based on Bryan Lee O’ Malley’s six graphic novel series of the same name, is about the titular Scott attempting to win the heart of a girl named Romana Flowers – to accomplish this, he must defeat her ‘seven evil exes’. As the…

  • The Jungle Book. Dir. Jon Favreau. Walt Disney Studios Motion Pictures. 2016.

    Man vs. Nature in The Jungle Book (2016) The Jungle Book is a film that essentially explores the relationship between man and nature through the portrayal of different animal wills and how they respond to one another, forming a variety of tensions and friendships. This unfolds through the story of Mowgli, a boy raised by wolves in the…

  • 102 Dalmatians. Dir. Kevin Lima. Walt Disney Pictures. 2000.

    Feathers Amongst the Furs: The Revival of Power Dynamic in 102 Dalmatians The visuals of the original 1961 animation and the 1996 live-action adaption have become iconic to those familiar with the story of 101 Dalmatians. The sea of black spots dispersed across endless white furs. The gangly, striking screen presence of the archetypal villain,…

  • Inside Llewyn Davis. Dir. Ethan Coen, Joel Coen. CBS Films. 2013.

    Inside Llewyn Davis, is a Coen Brothers mock biopic depicting a struggling singer in 1960s New York. The film leads the central character Llewyn to question whether or not he should continue to perform music following the suicide of his singing partner, Mike. The theme of alienation reoccurs throughout the film and is reinforced by…

  • Beauty and the Beast . Dir. Gary Trousdale & Kirk Wise. Buena Vista Pictures. 1991.

    Ostensibly, the transformation of a dog into a footstool in Beauty and the Beast operates as a humorous pun.[1] Visually, it works: Sultan in footstool form is around the right size, his tassels stand in for a head and tail and his decorated legs make convincing paws. Furthermore, the transformation of a dog into a footstool plays on…

  • Planet of the Apes. Dir. Franklin J. Schaffner. Twentieth Century Fox. 1968.

     Representation of Race through Franklin J. Schaffner’s ‘Space’ By 1968 North America had experienced over a decade of significant political uproar about the oppression that African-Americans suffered from, with this being known formally as the Civil Rights Movement. This was also the year that Franklin J. Schaffner’s Planet of the Apes was released. The film extrapolates issues…

  • IRIS. Dir. Albert Maysles. Magnolia Pictures. 2014.

    Albert Maysles’ 2015 documentary film IRIS provides a portrait of the nonagenarian fashion icon, Iris Apfel. Filming inside Iris’s apartment, Maysles presents us with many images of animal representations. The animals are artificial reproductions of the ‘real’ thing. They are aesthteic objects concerned only with style; carriers of pleasure rather than carriers of meaning. Taking Whitney Rugg’s…