ZooScope

Tag: Feature Length

  • Mon Oncle. Dir. Jacques Tati. Gaumont (France), Continental Distributing (USA). 1958.

    Mon Oncle (1958), as many of Jacques Tati’s films, focuses on the character of Monsieur Hulot, a bumbling but lovable man who fights a constant battle against the modern architecture and consumerist culture of post-war France. His use of the old cultural form of silent comedy to do so means that the film is predominantly…

  • La Haine. Dir. Mathieu Kassovitz. Canal+. 1995.

    One of the most enigmatic scenes in Mathieu Kassovitz’s La Haine, an exploration of social tensions and police brutality in the banlieues (council estates) of Paris in the 1990s, occurs the afternoon after a riot breaks out in the suburb the previous night. The sound of a hip-hop remix reverberates around the buildings, as a…

  • Wuthering Heights. Dir. Andrea Arnold. Curzon Artificial Eye. 2011.

    Andrea Arnold’s 2011 adaptation of Emily Brontë’s classic 1847 romance/tragedy novel Wuthering Heights highlights the desolate and savage nature of the moors in which the love story takes place, and the violent nature of those who live within them (notably Heathcliff). This wildness is conveyed to the audience through the use of animals, particularly violence against…

  • Grizzly Man. Dir. Werner Herzog. Lions Gate Films. 2005.

    A fascinating aspect about Werner Herzog’s exploration of the life of Timothy Treadwell and his relationships with the wild grizzly bears of Alaska is his investigation of the way Treadwell interpreted the animal world, and the extent to which this reveals aspects to his character. A scene which exemplifies this interpretation is when we’re shown…

  • Coco. Dir. Lee Unkrich. Walt Disney Studios Motion Pictures. 2017.

    Helping Miguel Rivera navigate the Land of the Dead as he seeks to find his great-great-grandfather is Dante, the stray Xoloitzcuintli dog. However, when it is revealed that Dante is instead a “mythical” and “powerful” alebrije or spirit guide, this subsequently exposes a tension between his two identities. This scene in particular sees Miguel use…

  • Wiener-Dog. Dir. Todd Solondz. Amazon Films/IFC Films. 2016.

    In the opening scenes of Todd Solondz’s Wiener-Dog, we see the unnamed titular character in a very recognisable form of cage as she waits her collection from an animal shelter.  After having been killed by a passing lorry in the film’s climax, Wiener-Dog’s taxidermied body is placed in a glass box and becomes part of…

  • A Fish Called Wanda. Dir. Charles Crichton. Metro-Goldwyn-Mayer (US) and United International Pictures (UK). 1988.

    The murder of three small dogs one after the other is not what most people would think of as funny. Yet this exact progression becomes a running gag in Charles Crichton’s heist comedy film A Fish Called Wanda, where stuttering animal lover Ken’s failed attempts to kill an old woman (who is witness to the…

  • Rise Of The Planet Of The Apes. Dir. Rupert Wyatt. 20th Century Fox . 2011.

    The scene which I believe most questions anthropocentric notions of human superiority in ‘Rise of the Planet of the Apes’ is the moment when Caesar verbally expresses his frustrations, in defence against his oppression and abuse. The film depicts animals gaining agency against being controlled by humans in many forms, such as pet-keeping, animal testing…

  • Enemy. Dir. Denis Villeneuve. E1 Films. 2013.

    Warning – Pictures of Spiders, if you hate spiders, stop reading now! Final Warning! The final scene of Enemy is the culmination of the spider motif that runs throughout the movie. Adam/Anthony has spent the whole film trying to resolve the two sides of himself, the cheat who only cares about himself and the man who tries…

  • Harry Potter and the Goblet of Fire. Dir. Mike Newell. Warner Bros. 2005.

    In Mike Newell’s ‘Harry Potter and the Goblet of Fire’, dragons are portrayed as symbols of the overriding danger that follows Harry throughout the film. This is made particularly apparent during Harry’s chase with a Hungarian Horntail in the first task of the Triwizard Tournament. In this scene, Newell’s use of both diegetic and non-diegetic sounds…