ZooScope

Tag: Drama

  • The King’s Speech. Dir. Tom Hooper. The Weinstein Company. 2011.

    The King’s Speech follows the lives of King George VI and his family in the lead up to his brother’s abdication, and through the transitional phase of becoming King. The immense pressure which the family are under is demonstrated as Elizabeth and her daughters organise toys to be moved to Buckingham Palace. The establishing scene is…

  • White Dog. Dir. Samuel Fuller. Paramount Pictures. 1982.

    Sam Fuller’s final Hollywood film, White Dog (1982), is based on Romain Gary’s 1970 ‘nonfiction’ novel of the same name and tells the story of aspiring actress Julie Sawyer (Kristy McNichol), who after accidentally hitting and injuring him with her car, adopts a seemingly lovable white German shepherd. The plot is complicated when, after two…

  • The Shape of water. Dir. Guillermo del Toro. Fox Searchlight Pictures. 2017.

    In this scene, the development of inter-species love between the film’s main characters, Eliza and the amphibian-man, culminates in their under-water embrace as the amphibian-man magically gives Eliza gills. This scene blurs the human-animal distinction as both individuals are now cross-species and it subverts the hierarchical binary between humans and animals through their cross-species love…

  • Pom Poko. Dir. Isao Takahata. Toho. 1994.

    Pom Poko[1] is a film that follows the tanuki of Tama Hills trying to halt development of their woodland through their folkloric transformation powers. In terms of how it shows the animal; the film establishes the idea that animal-human relationships are characterised by a conflict of two worlds that are equally alien to each other.…

  • Jurassic Park . Dir. Steven Spielberg. Universal Studios. 1993.

    Stephen Spielberg’s 1993 blockbuster adaptation of Jurassic Park is most well-known for its strikingly realistic puppet and CGI representations of the most fascinating of the prehistoric animals: the dinosaurs. Though the dinosaurs are impressive, it is the other, less unusual animals which appear in the film who are often overlooked, which provide an interesting point of analysis. 

  • Animal Farm. Dir. John Halas, Joy Batchelor. Pathe, Universal, RKO . 1954.

    Halas and Batchelor’s 1954 Animal Farm holds a firm place in cinematic history as Britain’s second animated feature.  The film is based on the 1945 novella by George Orwell and is often read as an allegory for communism and Stalinism. The unrest of the animals and desire for revolution also has echoes of Marxist ideas about the…

  • Au Hasard Balthazar. Dir. Robert Bresson. Cinema Ventures. 1966.

    Au Hasard Balthazar (dir. Robert Bresson, 1966) juxtaposes the human treatment of animals with animal camaraderie between different species, emphasising a human/animal divide and how we think of animals as one homogeneous group that we are not apart of, despite biological taxonomy saying otherwise.

  • Two Brothers . Dir. Jean-Jacques Annaud. Universal Studios. 2004.

    ean-Jacques Annaud transports us to the richly beautiful Cambodian jungle in the early 1920s , where two tiger cubs, Sangha and Kumal, are born to their stable and loving family unit. Their playful brotherly bond creates many adventures until violence and greed removes the two from the wild and forces them into the human domain…

  • Ratatouille. Dir. Brad Bird, Jan Pinkava. Pixar. 2007.

    Brad Bird’s Ratatotuille challenges how we stereotypically perceive rats through the depiction of the protagonist, Remy. The narrative shows Remy struggling with finding acceptance in human society, despite the exceptional cooking talents he has to offer. In anthropomophising Remy to directly challenge our negative perception of rats, Ratatouille promotes wider messages of hope and perseverance for the underdog, as…

  • Kes. Dir. Ken Loach. Woodfall Films. 1969.

    Kes (dir. Ken Loach, 1969) depicts working class Billy using his kestrel training as a means of escaping the grim reality of life in the industrial north, while the juxtaposition of industry with local nature represents the man-made depression of the mining town. In the scene we see Billy’s first glimpse of the kestrels in flight.…