Tag: Dogs
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Barnyard. Dir. Steve Oedekerk. Paramount Pictures, Nickelodeon Movies. 2006.
Steve Oedekerk’s Barnyard uses witty puns and gags in order to satirise the idea of the animal as a fixed definition, in that an animal can never truly be anything more than a representation of the attributes that humanity typically associates with its species.
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Wuthering Heights. Dir. Andrea Arnold. Curzon Artificial Eye. 2011.
Andrea Arnold’s 2011 adaptation of Emily Brontë’s classic 1847 romance/tragedy novel Wuthering Heights highlights the desolate and savage nature of the moors in which the love story takes place, and the violent nature of those who live within them (notably Heathcliff). This wildness is conveyed to the audience through the use of animals, particularly violence against…
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Coco. Dir. Lee Unkrich. Walt Disney Studios Motion Pictures. 2017.
Helping Miguel Rivera navigate the Land of the Dead as he seeks to find his great-great-grandfather is Dante, the stray Xoloitzcuintli dog. However, when it is revealed that Dante is instead a “mythical” and “powerful” alebrije or spirit guide, this subsequently exposes a tension between his two identities. This scene in particular sees Miguel use…
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Wiener-Dog. Dir. Todd Solondz. Amazon Films/IFC Films. 2016.
In the opening scenes of Todd Solondz’s Wiener-Dog, we see the unnamed titular character in a very recognisable form of cage as she waits her collection from an animal shelter. After having been killed by a passing lorry in the film’s climax, Wiener-Dog’s taxidermied body is placed in a glass box and becomes part of…
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A Fish Called Wanda. Dir. Charles Crichton. Metro-Goldwyn-Mayer (US) and United International Pictures (UK). 1988.
The murder of three small dogs one after the other is not what most people would think of as funny. Yet this exact progression becomes a running gag in Charles Crichton’s heist comedy film A Fish Called Wanda, where stuttering animal lover Ken’s failed attempts to kill an old woman (who is witness to the…
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Harry Potter and the Chamber of Secrets. Dir. Chris Columbus. Warner Bros. 2002.
Harry Potter and the Chamber of Secrets utilizes horror film narratives and their depiction of monstrous animals in order to reveal a deeper complex message regarding human-animal relationships. The franchise’s reliance on Ophidiophobia acts to highlight the negative animalisation assigned to animals such as snakes, whilst the treatment of the Basilisk by humans in the film…