Tag: dog

  • Hotel for Dogs. Dir. Thor Freudenthal. Dreamworks. 2009.

    Animals, a cutesy love story and the rise of underdogs… literally. What more could you want in a film? Well, ‘Hotel for Dogs’ (Thor Freudenthal/ 2009) covers a multitude of heart-wrenching topics which are compacted within a fun-loving Nickelodeon film. W.C. Fields stated ‘never work with children or animals’;[1] Thor Freudenthal the director ignores this…

  • Barking Dogs Never Bite. Dir. Bong Joon-ho. Cinema Service. 2000.

    Barking Dogs Never Bite. Dir. Bong Joon-ho. Cinema Service. 2000.

    Barking Dogs Never Bite is a dark comedy film directed by Bong Joon-ho, who has received critical praise for his recent filmography, in the same genre, Parasite. This film deals with a seemingly small incident about the disappearance of dogs in one apartment complex, but it raises questions about social morality and justice problems prevalent…

  • Corpse Bride. Tim Burton. Warner Brothers. 2005.

    Corpse Bride. Tim Burton. Warner Brothers. 2005.

    ‘In the act of othering, what is projected onto the other is all that must be refused in constructing the identity of the self’[1]. Consequently, establishing a human/animal binary often leads to a hierarchical relationship, highlighting the difference between human and non-human ‘other’. Such binary differences are reminiscent of common tropes in gothic literature, with…

  • Pocahontas II: Journey to a New World. Dir. Tom Ellery and Bradley Raymond. Walt Disney Home Video. 1998.

    In Pocahontas II: Journey to a New World, Pocahontas voyages to England with John Rolfe, an English diplomat. She must stop the villainous Governor Ratcliffe’s manipulation of King James and prevent the King from declaring war on the Native Americans. As expected in a Disney film, she just happens to fall in love with Rolfe…

  • Blade Runner 2049. Dir. Denis Villeneuve. Alcon Entertainment. 2017.

    Blade Runner 2049. Dir. Denis Villeneuve. Alcon Entertainment. 2017.

    Denis Villeneuve’s Blade Runner 2049 (2017) transports us to a dystopian earth, where humans and replicants, bio-engineered humans used for slave labour, live side by side. There is a clear dichotomy within the dystopia since replicants’ entire existence is based on the premise that they are genetically coded to obey orders, rendering them docile slaves,…

  • Pocahontas. Dir. Eric Goldberg and Mike Gabriel. The Walt Disney Company. 1995.

    In Pocahontas, the animosity between Meeko, the Native American raccoon and Percy, the English pug is a microcosm of the conflict between the Native and English humans. The animals are comic foils, providing family-friendly slapstick relief from human violence. However, the inclusion of animals adds meaning beyond just comedic value. The animals and humans both…

  • Scooby-Doo on Zombie Island. Dir. Jim Stenstrum. Hanna-Barbera Cartoons. 1998.

    Scooby-Doo on Zombie Island[1] is subversive both in terms of subverting what you’d expect from a typical Scooby outing (substituting criminals in masks with genuine monsters) and subverting ideas of what it truly means to be villainous. Immortal werecats Simone and Lena (fig. 1) sacrificed their souls to their cat god to exact revenge against…