Tag: Coming-of-Age
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The Black Stallion. Dir. Carroll Ballard. Twentieth Century Fox. 1979.
The Black Stallion (1979) Dir. Carroll Ballard Pulled to the tropical shores of a desert island by a wild Arabian horse following a shipwreck, The Black Stallion follows the narrative of an unbreakable bond between boy and horse, man and beast. The only remnants of the shipwreck that remain are the black stallion (The Black), the boy (Alec)…
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White Fang. Dir. Randal Kleiser. Buena Vista Studios. 1991.
Baring his teeth to a Grizzly Bear on its hind legs, White Fang- a hybridised wolf-dog, forsakes his life to defend a young boy, Jack Conroy. Jack’s endures a perilous journey across Alaskan terrain to discover his Father’s claim during the 1898 Klondike Gold Rush, and an orphaned wolf-dog puppy whose trust renders him a…
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The Lion King. Dir. Roger Allens and Rob Minkoff. Buena Vista Pictures. 1994.
The Lion King[i] tells the story of Simba, a lion cub born into the monarchy and heir to his father Mufasa, ruler of all the animals in the Pride Lands. From learning how to pounce, to going on adventures with his best friend Nala, Simba has the perfect life, up until Mufasa is killed by Scar,…
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Charlotte’s Web. Dir. Gary Winick. Paramount Pictures. 2006.
Based on the classic children’s story by E. B. White, Charlotte’s Web (2006) follows the journey of a runty piglet, Wilbur (Dominic Scott Kay), saved by the farmer’s daughter Fern (Dakota Fanning) and raised on the nearby farm. Wilbur remains friendless until he meets Charlotte (Julia Roberts), the spider who lives in the barn. Although initially…
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Tangled. Dir. Nathan Greno and Bryon Howard. Walt Disney Studios Motion Pictures. 2010.
A modern twist on the traditional fairytale story of Rapunzel, Tangled is an edgy take on a timeless classic. Disney’s 50th animated family film is a fantasy, fairytale, romance, comedy and musical. Set in a fantasy kingdom far-far away, the King and Queen’s baby daughter Rapunzel is stolen by the evil Mother Gothel, who wants to use…
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Ferris Bueller’s Day Off. Dir. John Hughes. Paramount. 1986.
(Scene beginning 55:15) ‘Mr. Rooney’s sole motivation is “getting Bueller”,’ claims Media Literacy author Art Silverblatt; ‘To reduce Ferris’ influence over the other students, which would re-establish adults, Rooney, that is, as traditional authority figures.’[1] Rooney does not ‘get Bueller’ however, thus never truly establishes himself as having any executable authority. This is no better exemplified than through…
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Life Doesn’t Frighten Me. Dir. Stephen Dunn. LDFM Films. 2012.