Tag: Comedy
-
Ratatouille. Dir. Brad Bird. Pixar. 2007.
Within Ratatouille, the scene in which Remy figures out that he is able to control Linguini, Brad Bird confounds expectations through undermining the stereotype about the animality of rats, and using the rats as symbols for immigrants. This interaction challenges the human/animal binary and strengthens the anthropomorphism of Remy. The director, Bird, suggests unity within this…
-
Ratatouille. Dir. Brad Bird, Jan Pinkava. Pixar. 2007.
Brad Bird’s Ratatotuille challenges how we stereotypically perceive rats through the depiction of the protagonist, Remy. The narrative shows Remy struggling with finding acceptance in human society, despite the exceptional cooking talents he has to offer. In anthropomophising Remy to directly challenge our negative perception of rats, Ratatouille promotes wider messages of hope and perseverance for the underdog, as…
-
Ratatouille. Dir. Brad Bird. Buena Vista Pictures. 2007.
Brad Bird’s 2007 computer-animated film Ratatouille uses its mode as animation to establish an alternate logic to the real world, enabling communication between humans and animals. The turning point that establishes this communication is when Linguini captures Remy in a jar. After asking a series of aggressive questions, Linguini calms down, and begins to take a more…
-
Ratatouille. Dir. Brad Bird. Buena Vista. 2007.
In a world where humans are relentlessly attempting to control and train animals, it is intriguing to see this portrayed in reverse in Brad Bird’s, Ratatouille.[1] Remy the rat is depicted as significantly smarter than the human (Linguini), as he teaches him how to cook and navigate his way around a kitchen; whilst Linguini remains predominantly confused…
-
Ratatouille . Dir. Brad Bird and Jan Pinkava . Walt Disney Pictures. 2007.
The final shot of Ratatouille, the image of a rat in the restaurant sign, symbolises the fantasy of the rat and human worlds crossing, and the idealisation of a rat chef being accepted by human society. However, this is ultimately impossible, as darker themes lurk beneath this image. The sign features a silhouette of a rat…
-
Flushed Away. Dir. David Bowers and Sam Fell. Paramount Pictures. 2006.
Within Flushed Away, the scene of Roddy meeting Sid for the first time utilises their anthropomorphism to project, not only social class, but bullying societal pressures and to scrutinize those who do not conform. Illustrating Roddy’s adopted social class is the way in which he is anthropomorphised, assuming the role of the upper class. However, Roddy’s upper…
-
Seven Psychopaths. Dir. Martin McDonaugh. CBS Films. 2011.
Callum HowkinsMonday 16 January 2017 At the core of its various subplots, Seven Psychopaths revolves around a situation in which a trio of criminals steal dogs in order to claim the reward money offered by the owners. It becomes apparent that the animal is a vital part of this film, serving as a framing device for the…