Tag: Childrens
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Harry Potter and the Chamber of Secrets. Dir. Chris Columbus. Warner Bros. 2002.
Harry Potter and the Chamber of Secrets utilizes horror film narratives and their depiction of monstrous animals in order to reveal a deeper complex message regarding human-animal relationships. The franchise’s reliance on Ophidiophobia acts to highlight the negative animalisation assigned to animals such as snakes, whilst the treatment of the Basilisk by humans in the film…
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Kiki’s Delivery Service. Dir. Hayao Miyazaki. Studio Ghibli. 1989.
In Kiki’s Delivery Service one of the representations of animals is Kiki’s cat and familiar, Jiji. A familiar is a supernatural entity that can aid a witch with her magic, often in the form of an animal, and in this film Kiki, the young witch, can communicate with Jiji, an adult male cat, but no one else…
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I am David. Dir. Paul Feig. Lion’s Gate Films. 2003.
I am David (2003) is a film adaptation of a children’s book of the same name by Anne Holm. The protagonist David must journey north alone after escaping a Bulgarian prison camp, in order to reach Denmark which he has been told is safe. As he is walking through a vineyard in Italy, he is startled…
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The Wild. Dir. Steve ‘Spaz’ Williams. Buena Vista Pictures. 2006.
The Wild YouTube video of the film’s theatrical trailer: <https://www.youtube.com/watch?v=zE3mEgqqlCM> ‘Start spreading the newspaper.’ Disney’s 2006 animation, The Wild, by first-time director and ex-special effects artist Steve ‘Spaz’ Williams, is a family comedy film centred on a group of zoo animals: Samson the lion, Bridget the giraffe, Nigel the koala and Larry the anaconda. Along with their…
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The Wild. Dir. Steve ‘Spaz’ Williams. Buena Vista Pictures. 2006.
ZooScope ZOOM: The Wild Above: ‘This isn’t Happiness’ – 07/04/2014 front cover illustration of The New Yorker by Peter DeSeve shows a vegetarian lion eating salad whilst looking distractedly at a zebra. Living in a world of cultural ethics clearly has its difficulties for a wild predator. Image from https://uk.pinterest.com/kmeyer/peter-deseve/ ‘The core paradigm of many narratives engaging…
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The Neverending Story. Dir. Wolfgang Petersen. Neue Constantin Film, Warner Bros. Pictures. 1984.
ZooScope ZOOM: The Neverending Story ‘The animal is distinct, and can never be confused with man. Thus, a power is ascribed to the animal, comparable with human power but never coinciding with it. The animal has secrets which, unlike the secrets of caves, mountains, seas, are specifically addressed to man,’[1] John Berger theorises on our understanding of…