ZooScope

  • Baraka. Dir. Ron Frike. The Samuel Goldwyn Company. 1992.

    Ron Fricke’s 1992 documentary film Baraka highlights the darker side of human-animal relations through a sequence comparing two very similar visual images. One scene depicts a crowded subway while another shows new-born chicks on a conveyor belt, presumably being sexed and arranged for meat or egg production.

  • Bee Movie. Dir. Steve Hickner and Simon J. Smith. DreamWorks. 2007.

    This textbook human thinking opens Bee Movie [2], an animation which follows the film’s aptly alliteratively named protagonist, Barry B. Benson, an aspiring bee, on his search for individuality in a conformist bee society that has worked non-stop for ‘27 million years’. Barry, disillusioned at the thought of working for the rest of his life…

  • Aladdin. Dir. Ron Clements and John Musker. Disney Studios. 1992.

    Ron Clements’ and John Muskers’, Aladdin (1992) [1]  follows the life of a poor street dweller and his sidekick monkey, Abu in the fictional city of Agrabah. After being coerced into entering the subterranean ‘cave of wonders’ by the villain Jafar and his accomplice parrot, Iago, Aladdin retrieves a magic lamp containing a genie. With the…

  • Au Hasard Balthazar. Dir. Robert Bresson. Cinema Ventures. 1966.

    Au Hasard Balthazar (dir. Robert Bresson, 1966) juxtaposes the human treatment of animals with animal camaraderie between different species, emphasising a human/animal divide and how we think of animals as one homogeneous group that we are not apart of, despite biological taxonomy saying otherwise.

  • Two Brothers . Dir. Jean-Jacques Annaud. Universal Studios. 2004.

    ean-Jacques Annaud transports us to the richly beautiful Cambodian jungle in the early 1920s , where two tiger cubs, Sangha and Kumal, are born to their stable and loving family unit. Their playful brotherly bond creates many adventures until violence and greed removes the two from the wild and forces them into the human domain…

  • Anita and Me . Dir. Metin Hüseyin. BBC. 2002.

    Auntie Shaila and her family arrive early in the film, the last of many Indian families who have come to see Meena’s family. The scene recreates the overarching approach of the film, where humour serves to subdue and ridicule racism.

  • My Dog Skip. Dir. Jay Russell. Warner Bros. 2000.

    My Dog Skip is a true story based on the early life of Willie Morris and his pet dog, Skip. The film is narrated by that of an older Willie Morris, reminiscing on those early memories that have become so precious to him. Before Skip is introduced into the Morris’ lives, Willie lacks friends, especially…

  • Ratatouille. Dir. Brad Bird. Pixar. 2007.

    Within Ratatouille, the scene in which Remy figures out that he is able to control Linguini, Brad Bird confounds expectations through undermining the stereotype about the animality of rats, and using the rats as symbols for immigrants. This interaction challenges the human/animal binary and strengthens the anthropomorphism of Remy. The director, Bird, suggests unity within this…

  • Ratatouille. Dir. Brad Bird, Jan Pinkava. Pixar. 2007.

    Brad Bird’s Ratatotuille challenges how we stereotypically perceive rats through the depiction of the protagonist, Remy. The narrative shows Remy struggling with finding acceptance in human society, despite the exceptional cooking talents he has to offer. In anthropomophising Remy to directly challenge our negative perception of rats, Ratatouille promotes wider messages of hope and perseverance for the underdog, as…

  • Big Fish. Dir. Tim Burton. Columbia Pitures. 2003.

    Tim Burton’s, Big Fish [1] follows the life of the charismatic Edward Bloom in his search for adventure far from the confines of his small town in Alabama. Upon leaving his town, his hedonistic search for excitement becomes chaotic and animalistic as he is led primarily by his primitive desires, such as sexuality. This is particularly…

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