Category: Year: 2004

  • Two Brothers. Dir. Jean-Jacques Annaud. Pathe. 2004.

    Two Brothers. Dir. Jean-Jacques Annaud. Pathe. 2004.

    Set against the backdrop of 1920s French Indochina, Two Brothers chronicles the poignant journey of two tiger siblings, Kumal and Sangha. From playful cubs roaming freely in the wild, their lives take a turbulent turn when human intervention tears them apart. Kumal, captured by treasure hunters, ends up as a performing circus tiger, whilst Sangha,…

  • Garfield. Dir. Peter Hewitt. 20th Century Fox. 2004.

    Garfield. Dir. Peter Hewitt. 20th Century Fox. 2004.

    This 2004 family comedy revolves around Garfield, a lazy, lasagna-loving cat who has the perfect life with his owner, Jon. Accustomed to luxury treatment, lavish meals and relying on his quick wit to get his way, the film opens on Garfield’s extravagant morning routine and his devious antics around the cul-de-sac. Unsurprisingly, Garfield is at…

  • Shrek 2. Dir. Andrew Adamson, Kelly Asbury, Conrad Vernon. DreamWorks Pictures. 2004.

    Shrek 2. Dir. Andrew Adamson, Kelly Asbury, Conrad Vernon. DreamWorks Pictures. 2004.

    DreamWorks Pictures reintroduces us to some familiar faces from fairy tales – with a comedic twist! The world of Far Far Away parodies and subverts traditional ideas of what a ‘happily ever after’ means. In this universe, the monsters of the story are now the good guys, and our frightening but lovable ogre protagonist must fight…

  • Eternal Sunshine of the Spotless Mind. Dir. Michel Gondry. Focus Features. 2004.

    Figure 1 Memories are the foundations for the complexity of individuals. We are created by the experiences we face, and to delve into the past is to delve into the system of our personal construction. According to Bowman (2004, p. 85), themes of memory in film generate emotion because, instinctively, to lose our memory equates…

  • Howl’s Moving Castle. Dir. Hayao Miyazaki. Studio Ghibli. 2004.

    There is a surprising lack of non-human animal representation in Studio Ghibli’s 2004 film Howl’s Moving Castle, despite an overarching theme which frequently pits an idyllic pastoral version of Japan against a threateningly industrial one. The major depiction of human-animal relations is that of secondary protagonist Howl as he gradually transforms into a bird-like creature…

  • Shrek 2. Dir. Andrew Adamson, Kelly Asbury, and Conrad Vernon. DreamWorks. 2004.

    The second film in the Shrek franchise, Shrek 2 focuses on a pair of ogres, Shrek and Fiona, and their life as newlyweds: it’s time to meet the in-laws. Fiona’s human parents, King Harold and Queen Lilian, are unpleasantly surprised by the fact their daughter and her husband are ogres, and their marriage has a few magical…

  • Anchorman: The Legend of Ron Burgundy. Dir. Adam McKay. DreamWorks Studios. 2004.

    Anchorman, starring Will Ferrell as the eponymous Ron Burgundy, is a tongue-in-cheek comedy that parodies 1970s American culture through its extremely self-conscious, gross-out style. The absurdity of Ron’s character is epitomized by the heavily exaggerated ‘man’s best friend’ relationship he has with his dog Baxter, whose most significant moment in the film comes when he…

  • Two Brothers . Dir. Jean-Jacques Annaud. Universal Studios. 2004.

    ean-Jacques Annaud transports us to the richly beautiful Cambodian jungle in the early 1920s , where two tiger cubs, Sangha and Kumal, are born to their stable and loving family unit. Their playful brotherly bond creates many adventures until violence and greed removes the two from the wild and forces them into the human domain…

  • Shark Tale. Dir. Bibo Bergeron, Vicky Jenson, Rob Letterman. DreamWorks Animation. 2004.

    DreamWorks Animation’s Shark Tale plays with the binary of shark/fish through the characterization of Lenny the vegetarian shark and his performativity of conventionally human gender stereotypes. The family animation draws attention to the common opinion of meat eating as conventionally masculine, relating to an acceptance of violence, and vegetarianism as typically associated with femininity, empathy and compassion…

  • Harry Potter and the Prisoner of Azkaban. Dir. Alfonso Cuarón. Warner Bros. 2004.

    Harry Potter and the Prisoner of Azkaban: Official Trailer [i] In 2004, Warner Bros. unveiled the third Harry Potter instalment, blessing the film franchise with the innovative, ingenious, and cinematically distinctive director Alfonso Cuarón. Back at Hogwarts for their third year, Harry Potter (Daniel Radcliffe) and his friends Hermione Granger (Emma Watson) and Ron Weasley (Rupert…