Category: Year: 2001
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Spirited Away. Dir Hayao Miyazaki. Toho Company Ltd. 2001.
Miyazaki’s 2001 Spirited Away, blurs the binary of human, animal, mythology, and spirit. Each character has its own version of this intersectionality, creating different presentations of ontology that in turn create varying perceptions. The film encourages us to reflect on how our own perceptions of fear in cinematic animal species are moulded through the presentation…
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See Spot Run. Dir. John Whitesell. Village Roadshow Pictures. 2001.
Agent 11 is one of the most decorated agents in the FBI, but he doesn’t always play by the rules. This time, his vicious attack on mob boss Sonny Talia (Paul Sorvino) has made him the target of a hit. When internal corruption leads to his Witness Protection being compromised, he must…
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Jurassic Park III. Dir. Joe Johnston. Universal Pictures. 2001.
“This is how you make dinosaurs?” “No. This is how you play God.” [1] Jurassic Park III revolves around the dinosaurs of the island ‘Isla Sorna’; genetically modified and inevitably abandoned in a previous movie of the franchise. It follows a wealthy family who have lost their son on the island, and try to pay their…
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Donnie Darko. Dir. Richard Kelly. Newmarket Films, Pandora Cinema, United Artists. 2001.
Set in 1988, Richard Kelly’s popular cult classic Donnie Darko deals with the teenage title character’s battle with diagnosed paranoid schizophrenia, fits of violent behaviour, and cynicism towards established institutions. Unlike other ‘ordinary’ 16 year olds, Donnie (Jake Gyllenhaal) has thoughts that are plagued by a man-sized rabbit (James Duval) that simultaneously saves him from, and then…
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Monsters, Inc. Dir. Pete Docter, David Silverman, Lee Unkrich. Buena Vista Pictures. 2001.
Lovable monsters like Sully and Mike of Pixar’s Monsters, Inc (Docter, Silverman and Unkrich, 2001) manage to make the monster world not so scary. Despite their initial employment as professional children ‘scarers’ for the Monsters Inc. corporation that uses scream- energy to power Monstropolis (the film’s monster-inhabited society), the pair prove themselves to be more…
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Hannibal. Dir. Ridley Scott. MGM. 2001.
Hannibal the Animal: An Analysis of Animal Presence in Hannibal Fig. 1. Hannibal Lecter. All pictures are taken directly from film unless otherwise stated. The sequel to The Silence of the Lambs, Ridley Scott’s Hannibal is set a decade after FBI Special Agent Clarice Starling (Julienne Moore) closed a serial-murder case with the help of incarcerated cannibal Dr. Hannibal…
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Shrek. Dir. Andrew Adamson & Vicky Jenson. DreamWorks Pictures. 2001.
Shrek (2001) is a film that invests in the fairytale tropes found in literature to create humour. Characters are typecast and stereotypes are flung at the audience in the beginning scenes of the movie. This is important for establishing the roles of animals in the film, because most of them, being objects of fairytale discourse, are…
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Lady and the Tramp II: Scamp’s Adventure. Dir. Darrell Rooney and Jeannine Roussel. Walt Disney. 2001.
In this sequel to Lady and the Tramp, the story of Lady’s and Tramp’s rambunctious young pup, Scamp is followed. Scamp desperately wants to be free to run, play, chew, and to not follow the strict rules imposed upon him through family life. In search of the adventure he wants, Scamp runs away from home…
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Atanarjuat: The Fast Runner. Dir. Zacharias Kunuk. Sony Pictures. 2001.