Category: Subgenre: Disaster
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Roar. Dir. Noel Marshall. Film Consortium, Filmways Pictures. 1981
An Aesthetic Fantasy of Leonine Star-Vehicles: Whose Land is This? Animal rights Activist Tippi Hedren and Director/husband Noel Marshall embarked on a several year journey to turn fantasy into reality by doing the seemingly impossible – shooting a film with hundreds of untamed lions, tigers and other African safari animals. With an unruly plot that…
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Leave the World Behind, Dir. Sam Esmail(Netflix, 2023)
What was up with the deer? Sam Esmail’s Leave the World Behind (2023) is an apocalyptic psychological thriller. Conventional American family, the Sandford’s, attempt to disconnect from the city with a family holiday. Presented with an opportunity engage with nature, the family remains obsessed with their gadgetry. When they are plunged into technological darkness, almost…
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Roar. Dir. Noel Marshall. Film Consortium, Filmways Pictures. 1981
“No Animals were harmed in the making of this film. 70 cast and crew members were”. A film tagline that instantly grabs your attention. The Drafthouse re-release in 2015 coined this moniker for the 1981 box-office blunder[1] “Roar”, which lacks plot, conventionality and, as the curious tagline suggests: a lack of safety measures for the actors…
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Nope. Dir. Jordan Peele. Universal Pictures. 2022
Jordan Peele’s latest film nope follows siblings OJ and Emerald Haywood in the aftermath of their father’s unexpected death. The siblings ‘We ain’t got no more problems’ is the foreboding line said by Otis Haywood moments before his untimely death and the supernatural haunting begins on the Haywood family ranch. Jordan Peele’s latest film Nope…
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Train to Busan. Dir. Yeon Sang-ho. Next Entertainment World. 2016.
Content warning: This article contains images of real animal death. The opening of Yeon Sang-ho’s action-horror film Train to Busan (2016) interprets the circumstances that lead to the epidemic at the centre of the ‘zombie apocalypse’ genre through an incident with a farmer and a deer. Considering the film’s narrative is characterised by a linearity…