Category: Language: English
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Babe. Dir. Chris Noonan. Universal Pictures. 1995.
Babe’s belief in his capability to function within his new identity role as sheep-pig is shattered when he learns his true purpose as bacon for the farm. Deflated of self-worth and betrayed by ‘The Boss’ he descends into a torrent of psychological self-harm, unable to eat at the prospect of his failed ambitions. [1]
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Hannibal. Dir. Ridley Scott. MGM. 2001.
Hannibal the Animal: An Analysis of Animal Presence in Hannibal Fig. 1. Hannibal Lecter. All pictures are taken directly from film unless otherwise stated. The sequel to The Silence of the Lambs, Ridley Scott’s Hannibal is set a decade after FBI Special Agent Clarice Starling (Julienne Moore) closed a serial-murder case with the help of incarcerated cannibal Dr. Hannibal…
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Hanna. Dir. Joe Wright. Focus Features. 2011.
Hanna (Joe Wright, 2011) combines quick-fire action scenes with intricately beautiful cinematography to create a dark, modern fairytale full of suspense and wicked delight. Raised in the snow-covered forests of Finland, Hanna has traverses the wilderness, speaks a myriad of different languages, hones her encyclopaedic knowledge, and has a number of aliases hidden up her…
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Mighty Joe Young. Dir. Ron Underwood. Buena Vista Pictures. 1998.
Film provides a platform for racial stereotypes to indoctrinate its viewers and relay social prejudices. Lester and Ross argue that ‘the predominant juxtaposition of images of blacks and social problems- welfare, crime, poverty, drugs, violence…implicitly helps to activate long-existing stereotypes of blacks as sambo and savage’ [1]. The black African poachers in Mighty Joe Young…
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Water for Elephants. Dir. Francis Lawrence. 20th Century Fox. 2011.
Water for Elephants (Dir. Francis Lawrence, 2011), based on the novel of the same name, is a story about a young man Jacob (Robert Pattinson) who joins a travelling circus and is unsurprisingly about confinement and freedom. It’s brimming with animals from horses to lions to the star of the show, Rosie the elephant, all of…
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The Cat From Outer Space. Dir. Norman Tokar. Buena Vista Distribution. 1978.
As we see a feline descend from the tongue-like walkway of a cat-shaped spaceship, Disney’s 1978 film The Cat From Outer Space opens, invoking a science-fiction both familiar and alien. It is difficult to not subscribe to the film’s endearing nature of a developed animal companionship as a bond forms between human and cat that goes beyond…
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The Black Stallion. Dir. Carroll Ballard. Twentieth Century Fox. 1979.
The Black Stallion (1979) Dir. Carroll Ballard Pulled to the tropical shores of a desert island by a wild Arabian horse following a shipwreck, The Black Stallion follows the narrative of an unbreakable bond between boy and horse, man and beast. The only remnants of the shipwreck that remain are the black stallion (The Black), the boy (Alec)…
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Ring of Bright Water. Dir. Jack Couffer. Cinerama Releasing Corp. 1969.
“He was boneless, mercurial, sinuous, wonderful… he was an otter in his own element and the most beautiful thing in nature I had ever seen.” [1] The 1960s seems littered with autobiographical accounts of human and animal relations which are, as a result of the popularity of the novel, projected upon the platform of film.…
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A Cat’s Life (‘Une Vie de Chat’). Dir. Alain Gagnol and Jean-Loup Felicioli. Gebeka Films. 2010.
A Cat in Paris (‘Une Vie de Chat’, 2010) is a charmingly funny, aesthetically beautiful and surprisingly thrilling French animated film, directed by Alain Gagnol and Jean-Loup Felicioli. [1] The film tells the story of Dino, a Parisian cat who leads a double life. By day he is a comforting and playful pet to a…