ZooScope

Category: Language: English

  • The Witch. Dir. Robert Eggers. A24. 2015.

    Robert Eggers’s 2015 independent horror film The Witch encounters human-animal relations in reference to a manmade issue – religion and the occult. I argue that such a representation of humans living alongside animals in the context of a restricted, puritanical environment of their own making exists because of how the characters decide to build their own isolation.…

  • Roald Dahl’s Esio Trot. Dir. Dearbhla Walsh. Red Arrow International. 2015.

    Slow and steady wins the race……… Dearbhla Walsh’s 2015 television film adaptation of Roald Dahl’s Esio Trot depicts the tale of two elderly neighbours, Mrs. Silver (Judi Dench) and Mr. Hoppy (Dustin Hoffman), as they progress towards a romantic relationship. The main obstacle to this relationship is Mrs. Silver’s infatuation with her pet tortoise, Alfie, and her…

  • Noah. Dir. Darren Aronofsky. Paramount Pictures. 2014.

    God says to Noah: Take with you seven pairs of every kind of clean animal, a male and its mate, and one pair of every kind of unclean animal, a male and its mate, and also seven pairs of every kind of bird, male and female, to keep their various kinds alive throughout the earth.…

  • Zootopia. Dir. Byron Howard and Rich Moore. Walt Disney Studios Motion Pictures. 2016.

    Dreams can be powerful things; and to Judy Hopps, no dream is greater than becoming Zootopia’s first rabbit police officer. After years of chasing her goal however, Judy discovers that maybe her dream isn’t all it’s cracked up to be. Finding herself in a world dominated by bigger, stronger animals; Judy faces discrimination as she…

  • Zootopia. Dir. Byron Howard and Rich Moore. Walt Disney Studios Motion Pictures. 2016.

    Zootopia [1] presents a story about the first rabbit police officer teaming up with a fox confidence trickster to stop their city descending into anarchy. The film is a modern take on a classic animal fable, using Aesopian tropes of animals representing certain personalities alongside a technology rich, modern setting.

  • Pom Poko. Dir. Isao Takahata. Toho. 1994.

    Pom Poko[1] is a film that follows the tanuki of Tama Hills trying to halt development of their woodland through their folkloric transformation powers. In terms of how it shows the animal; the film establishes the idea that animal-human relationships are characterised by a conflict of two worlds that are equally alien to each other.…

  • The Wild. Dir. Steve ‘Spaz’ Williams. Buena Vista Pictures. 2006.

    The Wild YouTube video of the film’s theatrical trailer: <https://www.youtube.com/watch?v=zE3mEgqqlCM> ‘Start spreading the newspaper.’ Disney’s 2006 animation, The Wild, by first-time director and ex-special effects artist Steve ‘Spaz’ Williams, is a family comedy film centred on a group of zoo animals: Samson the lion, Bridget the giraffe, Nigel the koala and Larry the anaconda. Along with their…

  • The Wild. Dir. Steve ‘Spaz’ Williams. Buena Vista Pictures. 2006.

    ZooScope ZOOM: The Wild  Above: ‘This isn’t Happiness’ – 07/04/2014 front cover illustration of The New Yorker by Peter DeSeve shows a vegetarian lion eating salad whilst looking distractedly at a zebra. Living in a world of cultural ethics clearly has its difficulties for a wild predator. Image from https://uk.pinterest.com/kmeyer/peter-deseve/ ‘The core paradigm of many narratives engaging…

  • The Neverending Story. Dir. Wolfgang Petersen. Neue Constantin Film, Warner Bros. Pictures. 1984.

    ZooScope ZOOM: The Neverending Story ‘The animal is distinct, and can never be confused with man. Thus, a power is ascribed to the animal, comparable with human power but never coinciding with it. The animal has secrets which, unlike the secrets of caves, mountains, seas, are specifically addressed to man,’[1] John Berger theorises on our understanding of…

  • Paddington. Dir. Paul King. StudioCanal. 2014.

    The 2014 film ‘Paddington’ appears to champion inclusivity and acceptance of migrants over merely wanting to observe or distance ourselves from animals and people that are different from us, just as Millicent does with her taxidermy. In essence, Paddington is a migrant, ‘an outsider trying to find a new home’ [1] in England after the…