ZooScope

Category: Language: English

  • American Honey. Dir. Andrea Arnold. 2016.

    Andrea Arnold’s films are renowned for their nuanced focus upon human behaviour. However, as Michael Lawrence recognises in his analysis of her 2011 adaptation of Wuthering Heights, Arnold ‘privileges the natural environment and its non-human inhabitants as characters in their own right’.[1] This scene is no different, as even within the interior setting Arnold utilises…

  • A Dog’s Purpose. Dir. Lasse Hallström. Universal Pictures. 2017.

    Lasse Hallström’s film A Dog’s Purpose presents the relationship between a dog and its first owner, Ethan Montgomery (Dennis Quaid as Ethan’s adult version). The intriguing question “what is the real purpose of a dog” becomes for Bailey (Josh Gad) the triggering of a number of adventures which results in the last sequence where the…

  • Jungle Book. Dir. Wolfgang Reitherman. Walt Disney. 1967.

    The notorious Kaa was manipulated in the Jungle Book[1] (1967) to serve the role of an antagonist, an inversion on his portrayal from Kipling’s original books[2] (1894). Kaa is presented as the enchanting reptile that adheres to the stereotypes of an Indian Rock Python.Reitherman harnesses the trance-like song “Trust in Me”[3] to ironically expose his deceitful nature and…

  • The Road to El Dorado. Dir. Bibo Bergeron, Jeffrey Katzenberg, Don Paul. DreamWorks Pictures. 2000.

    The Road to El Dorado subverts humanity’s usual place at the apex of creation. In this scene the High Priest, Tzekel-Kan, explains to Tulio (whom he believes to be a God) the importance of human sacrifice in gaining the fear and worship of the people, thus placing humanity somewhere near the bottom of a divine…

  • Howl’s Moving Castle. Dir. Hayao Miyazaki. Studio Ghibli. 2004.

    There is a surprising lack of non-human animal representation in Studio Ghibli’s 2004 film Howl’s Moving Castle, despite an overarching theme which frequently pits an idyllic pastoral version of Japan against a threateningly industrial one. The major depiction of human-animal relations is that of secondary protagonist Howl as he gradually transforms into a bird-like creature…

  • The Favourite. Dir. Yorgos Lanthimos. Fox Searchlight Pictures. 2019

    Yorgos Lanthimos’ The Favourite explores the life of Queen Anne and the competition between her servants Abigail and Sarah to become her ‘favourite’. The film uses comedy to provide an alternative depiction of the often idealised royal courts, creating an image of debauchery and cruelty instead. Whilst the film focuses on the relationship between these…

  • Wall – E. Dir. Anrew Stanton. Pixar. 2008.

    In its depiction of a film-world defined by its lack of natural life, Pixar’s WALL-E (2008) features only one animal: WALL-E’s charismatic companion, Hal the cockroach.

  • Monty Python and the Holy Grail. Dir. Terry Gilliam, Terry Jones. EMI Films. 1975.

    In the opening scene of Monty Python and the Holy Grail [1], a grassy hill is shown with the sound of horse’s hooves—only for a skipping King Arthur, and coconut-clomping servant to appear, sans horse. This sets the scene for the finest ever cinematic use of imaginary horses.

  • White God. Dir. Kornél Mundruczó. InterCom Zrt. 2014.

    White God (dir. Kornél Mundruczó, 2014) depicts the story of Hagen [Bodie and Luke], a mixed-breed dog, and his relationship with Lili [Zsófia Psotta], a young girl who is sent to live with her emotionally distant father [Sándor Zsótér].  Unwilling to pay the newly implemented ‘mongrel fee’ imposed by the Hungarian government in a desperate attempt…

  • Oldboy. Dir. Park Chan-wook. Show East & Tartan Films. 2003.

    Park Chan-wook’s 2003 film Oldboy is at its core a thriller, a revenge story of Oh Dae-su (played by Choi Min-sik) imprisoned in a room for 15 years without any knowledge of the reasons why, and who is then suddenly released back into the world and told by his captor to try to work out…