ZooScope

Category: Imaginary Animals: No

  • Princess Mononoke. Dir. Hayao Miyazaki. Studio Ghibli. 1997.

    Princess Mononoke (Mononoke-hime) is a Studio Ghibli film, written and directed by co-founder Hayao Miyazaki in 1997. The film takes place in the Muromachi period of Ancient Japan and follows protagonist Ashitaka on his journey to locate the origins of the demon beasts. In this world, Miyazaki has chosen to depict animals, not only in a…

  • Planet of the Apes. Dir. Franklin J. Schaffner. 20th Century Fox. 1968.

    Evolutionary Reversal in Planet of the Apes Planet of the Apes (1968) brilliantly satirizes the process by which humans simultaneously invented the concept of the “animal kingdom” and appointed themselves to its highest position. Adapting Pierre Boulle’s celebrated novel, Monkey Planet (1963), director Franklin J. Schaffner and screenwriters Rod Serling and Michael Wilson use the speculative licence of the…

  • Brave. Dir. Mark Andrews, Brenda Chapman, and Steve Purcell. Disney-Pixar. 2012.

    The Disney-Pixar film, Brave (2012), directed by Mark Andrews, Brenda Chapman, and Steve Purcell, is a computer-animated film set in Medieval Scotland featuring Merida, a skilled archer and princess, who is determined to seek freedom from the cultural duties and responsibilities enforced upon her. As the story unfolds, Merida’s mother, Queen Elinor, announces a kingdom-wide competition amongst…

  • The Ghost and the Darkness. Dir. Stephen Hopkins. Constellation Entertainment. 1996.

    Film Poster for The Ghost and the Darkness URL: https://upload.wikimedia.org/wikipedia/en/0/01/Ghostandthedarkness.jpg This film is a retelling of The Man-Eaters of Tsavo – the published journal of John Henry Patterson. He was an Irish engineer and soldier (played by Val Kilmer), who is sent to Africa to help build the British railway from Mombasa to Uganda (572…

  • The Queen. Dir. Stephen Frears. Pathé Distribution. 2006.

    In the centre of constitutional drama, The Queen, a moment occurs in which a stag unexpectantly enters into a private moment being experienced by Elizabeth II. The Stag has a highly commanding presence onscreen, and works in unison with the film’s discussion on the public and private sphere. The scene opens with the Queen’s (Helen Mirren) back…