Category: Distributor: EMI Films

  • The Deer Hunter. Dir. Michael Cimino. EMI. 1978.

    Michael Cimino’s The Deer Hunter explores the impact of the Vietnam War on Americans, depicting protagonist Michael’s transformation from notoriously adept hunter and Russian-roulette crazed killer to sparing a deer’s life, delicately challenging the culturally normalised human-animal hierarchy. Specifically through mirroring shots of when he is moments away from firing at the deer, one prior…

  • Monty Python and the Holy Grail. Dir. Terry Gilliam, Terry Jones. EMI Films. 1975.

    In the opening scene of Monty Python and the Holy Grail [1], a grassy hill is shown with the sound of horse’s hooves—only for a skipping King Arthur, and coconut-clomping servant to appear, sans horse. This sets the scene for the finest ever cinematic use of imaginary horses.

  • Monty Python and the Holy Grail. Dir. Terry Gilliam, Terry Jones. EMI Films. 1975.

    This iconic scene fully exemplifies the film’s absurdist representation of the violence of the crusades, particularly the disproportionate violence of the Western invaders. It explores this using the similarly lopsided power-dynamic of the animal-human relationship, the surreal treatment of which exposes the arbitrary hegemony, and divine mission of the white Christian crusaders as a lie.…