ZooScope

Category: Distributor: Buena Vista Pictures

  • Rushmore. Dir. Wes Anderson. 1998. Buena Vista Pictures.

    Rushmore. Dir. Wes Anderson. 1998. Buena Vista Pictures.

    Bees in Wes Anderson’s Rushmore The swarm of the bees scene in Wes Anderson’s 1998 comedy film  Rushmore sees Herman J Blume (Bill Murray) subjected to further revenge for his romantic involvement with Miss Cross (Olivia Williams). Blume is rattled by an infiltration of bees in his hotel suite, orchestrated by the outraged Max Fischer (Jason…

  • Mulan. Dir. Tony Bancroft and Barry Cook. Buena Vista Pictures. 1998.

    Disney’s Mulan (1998) takes on a Chinese folktale of a woman who takes the place of her father in the fight against the Huns who have recently invaded China. The film follows the adventures and troubles of Mulan, a young woman who breaks the stereotypes of Disney’s classic princess, as well as the expectations which…

  • James and the Giant Peach. Dir. Henry Selick. Buena Vista Pictures. 1996.

    Overcoming Stereotypes and Nightmares: How You can Find Help from the Smallest of Friends Based on the children’s book by Roald Dahl, James and the Giant Peach focuses on a boy named James Trotter. James is first introduced with his parents, dreaming of one day heading over to New York City from England. But tragedy strikes when…

  • The Wild. Dir. Steve ‘Spaz’ Williams. Buena Vista Pictures. 2006.

    The Wild YouTube video of the film’s theatrical trailer: <https://www.youtube.com/watch?v=zE3mEgqqlCM> ‘Start spreading the newspaper.’ Disney’s 2006 animation, The Wild, by first-time director and ex-special effects artist Steve ‘Spaz’ Williams, is a family comedy film centred on a group of zoo animals: Samson the lion, Bridget the giraffe, Nigel the koala and Larry the anaconda. Along with their…

  • The Wild. Dir. Steve ‘Spaz’ Williams. Buena Vista Pictures. 2006.

    ZooScope ZOOM: The Wild  Above: ‘This isn’t Happiness’ – 07/04/2014 front cover illustration of The New Yorker by Peter DeSeve shows a vegetarian lion eating salad whilst looking distractedly at a zebra. Living in a world of cultural ethics clearly has its difficulties for a wild predator. Image from https://uk.pinterest.com/kmeyer/peter-deseve/ ‘The core paradigm of many narratives engaging…

  • Ratatouille. Dir. Brad Bird. Buena Vista Pictures. 2007.

    Brad Bird’s 2007 computer-animated film Ratatouille uses its mode as animation to estab­lish an alternate logic to the real world, enabling communication between humans and animals. The turning point that establishes this communication is when Lin­guini captures Remy in a jar. After asking a series of aggressive questions, Linguini calms down, and begins to take a more…

  • Ratatouille. Dir. Brad Bird. Buena Vista. 2007.

    In a world where humans are relentlessly attempting to control and train animals, it is intriguing to see this portrayed in reverse in Brad Bird’s, Ratatouille.[1] Remy the rat is depicted as significantly smarter than the human (Linguini), as he teaches him how to cook and navigate his way around a kitchen; whilst Linguini remains predominantly confused…

  • Beauty and the Beast . Dir. Gary Trousdale and Kirk Wise. Buena Vista Pictures. 1991.

    Beauty and the Beast, Disney’s early 90s offering follows the protagonist Belle, a clever and beautiful woman. Frustrated at her small town life, she hungers for adventure. She rejects the relentless advances of Gaston, the loathsome but handsome villain and instead falls in love with a ‘hideous beast’; a former prince who has been cursed…

  • Beauty and the Beast . Dir. Gary Trousdale & Kirk Wise. Buena Vista Pictures. 1991.

    Ostensibly, the transformation of a dog into a footstool in Beauty and the Beast operates as a humorous pun.[1] Visually, it works: Sultan in footstool form is around the right size, his tassels stand in for a head and tail and his decorated legs make convincing paws. Furthermore, the transformation of a dog into a footstool plays on…

  • Ratatouille. Dir. Brad Bird. Buena Vista Pictures Distribution. 2007.

    Brad Bird’s Ratatouille is a film in which the human community collides with that of the rats, through Remy the rat’s aspiration to be a cook for humans despite his status as animal vermin (assigned to him by those he wishes to cook for). Remy the rat’s first encounter with a compassionate, caring ‘human’ arises from an…