Category: Director: Franklin J. Schaffner
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Planet of the Apes. Dir. Franklin J. Schaffner. Twentieth Century Fox. 1968.
Representation of Race through Franklin J. Schaffner’s ‘Space’ By 1968 North America had experienced over a decade of significant political uproar about the oppression that African-Americans suffered from, with this being known formally as the Civil Rights Movement. This was also the year that Franklin J. Schaffner’s Planet of the Apes was released. The film extrapolates issues…
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Planet of the Apes. Dir. Franklin J. Schaffner. 20th Century Fox. 1968.
Planet of the Apes (1968), dir. Franklin J. Schaffner It is from the Planet of the Apes’s first encounter with its ‘more or less human’ characters that we are made aware of their muteness; something that shapes the human/animal relations throughout the film. In his ignorance of the subverted hierarchy the film explores, Taylor, the main character,…
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Planet of the Apes. Dir. Franklin J. Schaffner. 20th Century Fox. 1968.
The portrayal of animals in Planet of the Apes [1] is interesting as the roles of humans and animals are essentially reversed from what we are used to in everyday life. The apes are anthropomorphised – they walk and talk like humans, they ride horses, they are intelligent and literate, they have a justice system and…
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Planet of the Apes. Dir. Franklin J. Schaffner. Twentieth Century Fox. 1968.
Planet of the Apes is a story that takes a look at what the world would be like if Apes filled the role of humans, and vice-versa. What the film manages to do is not only point out how humans perceive animals as wild, and something that should be locked up and studied, but also…
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Planet of the Apes. Dir. Franklin J. Schaffner. 20th Century Fox. 1968.
Evolutionary Reversal in Planet of the Apes Planet of the Apes (1968) brilliantly satirizes the process by which humans simultaneously invented the concept of the “animal kingdom” and appointed themselves to its highest position. Adapting Pierre Boulle’s celebrated novel, Monkey Planet (1963), director Franklin J. Schaffner and screenwriters Rod Serling and Michael Wilson use the speculative licence of the…