ZooScope

Category: Country: UK

  • Mulan. Dir. Tony Bancroft and Barry Cook. Buena Vista Pictures. 1998.

    Disney’s Mulan (1998) takes on a Chinese folktale of a woman who takes the place of her father in the fight against the Huns who have recently invaded China. The film follows the adventures and troubles of Mulan, a young woman who breaks the stereotypes of Disney’s classic princess, as well as the expectations which…

  • Harry Potter and the Order of the Phoenix. Dir. David Yates. Warner Bros. Pictures. 2007.

    In Harry Potter and the Order of the Phoenix (2007), Harry contends with his isolation as a result of the ministry of magic, and a large portion of his fellow students, believing him to be lying about his experiences at the end of his last school year. These experiences include the return of the dark wizard, Voldemort,…

  • Finding Dory. Dir. Andrew Stanton. Disney Pixar. 2016.

    Dory is the iconic name for the blue tang, (or scientifically known: palette surgeon fish) from the motion picture, Finding Nemo. Much like its predecessor, Finding Dory personifies marine life by animating fish with character and emotions in order to get the audience to engage in a more sympathetic mindset to sea life and overall motivate a movement…

  • The Shape of Water. Dir. Guillermo Del Toro. Fox Searchlight Pictures. 2017.

    The Shape of Water is a fantastical love story set during The Cold War about Eliza, a mute cleaner at a government laboratory, who falls in love with a hybrid amphibian-man who was captured from the Amazon by the film’s villain, Colonel Strickland. General Hoyt wishes to exploit the amphibian-man to Western advantage in the Space…

  • The King’s Speech. Dir. Tom Hooper. The Weinstein Company. 2011.

    The King’s Speech follows the lives of King George VI and his family in the lead up to his brother’s abdication, and through the transitional phase of becoming King. The immense pressure which the family are under is demonstrated as Elizabeth and her daughters organise toys to be moved to Buckingham Palace. The establishing scene is…

  • Anchorman: The Legend of Ron Burgundy. Dir. Adam McKay. DreamWorks Studios. 2004.

    Anchorman, starring Will Ferrell as the eponymous Ron Burgundy, is a tongue-in-cheek comedy that parodies 1970s American culture through its extremely self-conscious, gross-out style. The absurdity of Ron’s character is epitomized by the heavily exaggerated ‘man’s best friend’ relationship he has with his dog Baxter, whose most significant moment in the film comes when he…

  • White Dog. Dir. Samuel Fuller. Paramount Pictures. 1982.

    Sam Fuller’s final Hollywood film, White Dog (1982), is based on Romain Gary’s 1970 ‘nonfiction’ novel of the same name and tells the story of aspiring actress Julie Sawyer (Kristy McNichol), who after accidentally hitting and injuring him with her car, adopts a seemingly lovable white German shepherd. The plot is complicated when, after two…

  • The Shape of water. Dir. Guillermo del Toro. Fox Searchlight Pictures. 2017.

    In this scene, the development of inter-species love between the film’s main characters, Eliza and the amphibian-man, culminates in their under-water embrace as the amphibian-man magically gives Eliza gills. This scene blurs the human-animal distinction as both individuals are now cross-species and it subverts the hierarchical binary between humans and animals through their cross-species love…

  • Roald Dahl’s Esio Trot. Dir. Dearbhla Walsh. Red Arrow International. 2015.

    Slow and steady wins the race……… Dearbhla Walsh’s 2015 television film adaptation of Roald Dahl’s Esio Trot depicts the tale of two elderly neighbours, Mrs. Silver (Judi Dench) and Mr. Hoppy (Dustin Hoffman), as they progress towards a romantic relationship. The main obstacle to this relationship is Mrs. Silver’s infatuation with her pet tortoise, Alfie, and her…

  • Paddington. Dir. Paul King. StudioCanal. 2014.

    The 2014 film ‘Paddington’ appears to champion inclusivity and acceptance of migrants over merely wanting to observe or distance ourselves from animals and people that are different from us, just as Millicent does with her taxidermy. In essence, Paddington is a migrant, ‘an outsider trying to find a new home’ [1] in England after the…