Category: Article Type: Zoom
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Stalker. Dir. Andrei Tarkovsky. Mosfilm. 1979.
Andrei Tarkovsky’s science-fiction film, Stalker (1979), is marked by depression, desolation and barren wastelands.[1] The film’s loose narrative follows three men into The Zone, a disturbingly conscious and supernatural area of nuclear disaster. Whilst there, the eponymous Stalker encounters a black dog at various points on the journey. As the Stalker waits for his wife in the bar,…
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Samsara. Dir. Ron Fricke. Oscilloscope Laboratories. 2011.
Samsara (2011) is a non-narrative documentary directed by Ron Fricke.[1] “Samsara” is a Sanskrit word for the cycle of birth, life and death. Through this theme, the film aims to ‘illuminate the links between humanity and the rest of nature, showing how our life cycle mirrors the rhythm of the planet’.[2] One particular sequence depicts the different…
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The Birds. Dir. Alfred Hitchcock. Universal Pictures. 1963.
The Birds (1963) is undoubtedly a horror film because it contains a deep sense of the uncanny, a term Freud coins as something that is terrifying because it is familiar.[i] The Birds contains many pockets of fear and gruesome imagery throughout the film. Hitchcock’s use of human bodies being pecked at by birds are an example of the…
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Shrek. Dir. Andrew Adamson & Vicky Jenson. DreamWorks Pictures. 2001.
Shrek (2001) is a film that invests in the fairytale tropes found in literature to create humour. Characters are typecast and stereotypes are flung at the audience in the beginning scenes of the movie. This is important for establishing the roles of animals in the film, because most of them, being objects of fairytale discourse, are…
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Planet of the Apes. Dir. Franklin J. Schaffner. 20th Century Fox. 1968.
The portrayal of animals in Planet of the Apes [1] is interesting as the roles of humans and animals are essentially reversed from what we are used to in everyday life. The apes are anthropomorphised – they walk and talk like humans, they ride horses, they are intelligent and literate, they have a justice system and…
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Fight Club. Dir. David Fincher. 20th Century Fox. 1999.
One of the most important scenes in David Fincher’s Fight Club[1] is when The Narrator meets his ‘power animal’ in the cave whilst in meditation. Although it’s only a very short sequence, the penguin represents changes we see in The Narrator’s character throughout the film, which are relevant to the dramatic plot twist near the end. The…
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Belle and Sébastien. Dir. Nicolas Vanier. Gaumont. 2013.
Belle and Sébastien is an action and adventure children’s film that touches on animal bond and servitude. During the era of German soldiers raiding French towns for Jewish refugees, the townsmen of a southern French town are hunting for a beast – Belle, a Great Pyrenees dog gone feral. They believed she was the killer…
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Fantastic Mr. Fox. Dir. Wes Anderson. 20th Century Fox. 2009.
Mr. Fox in Fantastic Mr. Fox is a charismatic selfish father that puts his own wants and needs before his family. The narrative follows Mr. Fox and his many escapades of stealing chickens and putting his family and town into harm’s way by interfering with three powerful corporate farmers. After being fooled one too many times, the…
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Ferris Bueller’s Day Off. Dir. John Hughes. Paramount. 1986.
(Scene beginning 55:15) ‘Mr. Rooney’s sole motivation is “getting Bueller”,’ claims Media Literacy author Art Silverblatt; ‘To reduce Ferris’ influence over the other students, which would re-establish adults, Rooney, that is, as traditional authority figures.’[1] Rooney does not ‘get Bueller’ however, thus never truly establishes himself as having any executable authority. This is no better exemplified than through…