Category: Article Type: Zoom
-
Ratatouille. Dir. Brad Bird and Jan Pinkava. Buena Vista Pictures Distribution. 2007.
Brad Bird and Jan Pinkava’s 2007 animated family film Ratatouille follows the journey of a rat named Remy who has a dream of becoming a chef.[1] Like most family films, Ratatouille has an underlying moral message it aims to teach its audience. Ratatouille wants its audience to go away from the film with the idea that individuality is a good…
-
Fantastic Mr. Fox. Dir. Wes Anderson. 20th Century Fox. 2009.
In his 2009 indie comedy, Fantastic Mr. Fox, Wes Anderson blurs the distinctive boundaries between the real and fictional presence of animals within the film. He creates tension between the real animal he is portraying and the anthropomorphised animal he has created in order to repurpose the way we think about animals. Rather than thinking of…
-
Treasure Planet. Dir. Ron Clements. Disney. 2002.
In the animated film Treasure Planet anthropomorphism is used as a narrative tool within a wider concept of Hyperrealism which is ‘Disney Studio’s application of realist conventions of narrative, logical causality and character motivations – breaking with the largely non-realist and anarchic dynamics of the cartoon form.’ Anthropomorphism is used throughout this film as many of the…
-
Bringing up Baby. Dir. Howard Hawks. RKO Radio Pictures. 1938.
Bringing up Baby is a film which explores the relationship between humans and animals through the use of doubling. This is particularly evident in the scene where Susan lets a wild leopard escape from a circus and culminates in the scene where the leopard is wrangled into a jail cell by David. The use of doubling…
-
Moonrise Kingdom. Dir. Wes Anderson. Focus Features. 2012.
Wes Anderson’s 2012 Moonrise Kingdom tells the tale of Suzy and Sam as they run away together. Our two young characters are pursued by Suzy’s family and Sam’s scout troop.
-
Babe. Dir. Chris Noonan. Universal Pictures. 1995.
Babe’s belief in his capability to function within his new identity role as sheep-pig is shattered when he learns his true purpose as bacon for the farm. Deflated of self-worth and betrayed by ‘The Boss’ he descends into a torrent of psychological self-harm, unable to eat at the prospect of his failed ambitions. [1]
-
Hanna. Dir. Joe Wright. Focus Features. 2011.
Hanna (Joe Wright, 2011) combines quick-fire action scenes with intricately beautiful cinematography to create a dark, modern fairytale full of suspense and wicked delight. Raised in the snow-covered forests of Finland, Hanna has traverses the wilderness, speaks a myriad of different languages, hones her encyclopaedic knowledge, and has a number of aliases hidden up her…
-
Mighty Joe Young. Dir. Ron Underwood. Buena Vista Pictures. 1998.
Film provides a platform for racial stereotypes to indoctrinate its viewers and relay social prejudices. Lester and Ross argue that ‘the predominant juxtaposition of images of blacks and social problems- welfare, crime, poverty, drugs, violence…implicitly helps to activate long-existing stereotypes of blacks as sambo and savage’ [1]. The black African poachers in Mighty Joe Young…
-
Water for Elephants. Dir. Francis Lawrence. 20th Century Fox. 2011.
Water for Elephants (Dir. Francis Lawrence, 2011), based on the novel of the same name, is a story about a young man Jacob (Robert Pattinson) who joins a travelling circus and is unsurprisingly about confinement and freedom. It’s brimming with animals from horses to lions to the star of the show, Rosie the elephant, all of…
-
The Cat From Outer Space. Dir. Norman Tokar. Buena Vista Distribution. 1978.
As we see a feline descend from the tongue-like walkway of a cat-shaped spaceship, Disney’s 1978 film The Cat From Outer Space opens, invoking a science-fiction both familiar and alien. It is difficult to not subscribe to the film’s endearing nature of a developed animal companionship as a bond forms between human and cat that goes beyond…