ZooScope

Category: Article Type: Zoom

  • Harry Potter and the Goblet of Fire. Dir. Mike Newell. Warner Bros. 2005.

    In Mike Newell’s ‘Harry Potter and the Goblet of Fire’, dragons are portrayed as symbols of the overriding danger that follows Harry throughout the film. This is made particularly apparent during Harry’s chase with a Hungarian Horntail in the first task of the Triwizard Tournament. In this scene, Newell’s use of both diegetic and non-diegetic sounds…

  • Monty Python and the Holy Grail. Dir. Terry Gilliam, Terry Jones. EMI Films. 1975.

    This iconic scene fully exemplifies the film’s absurdist representation of the violence of the crusades, particularly the disproportionate violence of the Western invaders. It explores this using the similarly lopsided power-dynamic of the animal-human relationship, the surreal treatment of which exposes the arbitrary hegemony, and divine mission of the white Christian crusaders as a lie.…

  • Alice in Wonderland. Dir. Tim Burton. Walt Disney Pictures. 2010.

    The film draws on the viewer’s knowledge of the Disney original in the tea party scene, making it a ruin of what it once was, and presenting the Hatter as even more ‘mad’. He is seen for the first time in a close up shot, slowly looking up towards the camera, vacantly staring into the…

  • 28 Days Later. Dir. Danny Boyle. Fox Searchlight Pictures. 2002.

    You wouldn’t expect one of British cinema’s most poignant and idyllic moments to lie in the centre of a post-apocalyptic horror film, yet it does. Danny Boyle’s 28 Days Later cuts in the melancholy scene at its centre, with four wild horses providing respite for the film’s central four characters by subverting the film’s primary genre…

  • Bambi. Dir. David Hand. RKO Radio Pictures. 1942.

    The story of Bambi has captured the hearts of many ever since its release back in 1942. The main character, Bambi is a sweet, newborn mule deer when he first graces the screen, and earns the love of many with the lovely antics shared by him and his friends. The most memorable scene however, is…

  • Twelve Monkeys. Dir. Terry Gilliam. Universal Pictures . 1996.

    Do you want a second chance, Cole?” In other words – Do you want your body experimented upon to benefit our research again, Cole? The film cuts to a scene where Cole is injected and pinned to the time machine… or rather, torture machine. Cole never gets to answer the question – he has no…

  • The Wolf of Wall Street. Dir. Martin Scorsese . Paramount Pictures. 2013.

    The Wolf of Wall Street is a biographical dark comedy that follows the life of criminal stock broker, Jordan Belfort. The presence of animals in the film draws attention to human-animal relationships and their differences. More specifically, this scene uses a goldfish to highlight these differences, as well as the film’s message about the greed and…

  • Frozen. Dir. Adam Green. Anchor Bay Films. 2010.

    Adam Green’s dramatic thriller Frozen features the return of the wolf to terrorise three friends who become stranded on a ski lift in a New England ski resort. The wolf’s homecoming becomes symbolic, in light of Robin Wood’s definition of the horror film monster, of the ‘deadly return of all that a culture both represses and oppresses’[i].…

  • Gone Girl. Dir. David Fincher. 20th Century Fox. 2014.

    Stereotypically, cats are represented as sly, sexy, intelligent, manipulative and mysterious creatures, and all of these characteristics are embodied in Gone Girl’s (dir. David Fincher, 2014) complex anti-heroine Amy Dunne. In order to understand Amy’s immensely complicated character, who only exists in flashbacks during the film’s opening scene, the film projects Amy’s character onto her husband Nick’s…

  • Wolf Children. Dir. Mamoru Hosoda. Toho. 2012.

    Wolf Children describes the maturation of two werewolf children, Yuki and Ame, and their human-being mother, Hana, with great sensitivity. The werewolf children struggle between their two identities – human and wolf. They can turn into either of them whenever they want which implies that it is their responsibility to choose which identity they will…