Tag: War
-
Paddington Bear. Dir. Paul King. S. 2014
Paddington, directed by Paul King, captures the life of an orphaned bear who travels from Peru to London sponsored by his Aunt Lucy to seek a better life the mythic aspirations of most immigrants. As a young bear club Paddington is presented as a wilful, yet kind hearted character who exhibits dignity despite being faced…
-
Mason’s Rats. Dir. Carlos Stevens. Netflix. 2022.
“Like World War fucking IV.” The Love, Death and Robots’ episode, Mason’s Rats, centres around conflict regarding control and the co-existence of humans and animals, specifically rats, in a world dominated by technologically advanced humans. Significantly, the identities of the two clashing forces – the rats and Mason – are used to portray the errors of internecine fighting, with…
-
Pocahontas II: Journey to a New World. Dir. Tom Ellery and Bradley Raymond. Walt Disney Home Video. 1998.
In Pocahontas II: Journey to a New World, Pocahontas voyages to England with John Rolfe, an English diplomat. She must stop the villainous Governor Ratcliffe’s manipulation of King James and prevent the King from declaring war on the Native Americans. As expected in a Disney film, she just happens to fall in love with Rolfe…
-
Pocahontas. Dir. Eric Goldberg and Mike Gabriel. The Walt Disney Company. 1995.
In Pocahontas, the animosity between Meeko, the Native American raccoon and Percy, the English pug is a microcosm of the conflict between the Native and English humans. The animals are comic foils, providing family-friendly slapstick relief from human violence. However, the inclusion of animals adds meaning beyond just comedic value. The animals and humans both…
-
Waltz with Bashir. Dir. Ari Folman, Sony Pictures Classics. 2008.
Anonymous soldier: What to do? What to do? Why don’t you tell us what to do? Ari Folman: Shoot. Anonymous soldier: On who? Ari Folman: How should I know on who? Just shoot. Anonymous soldier: Isn’t it better to pray? Ari Folman: Pray and shoot. [1] In 2008 a new style of documentary filmmaking was…
-
The Lord of the Rings: Return of the King. Dir. Peter Jackson. New Line Cinema. 2003.
In this scene, we see a last gasp attack from the human riders against a far larger force of evil orcs. The horses the men ride reflect the heroic values of their riders whilst also encompassing the bestial nature of conflict. Jackson uses a wide shot, with the golden sun shining on the riders, to…