ZooScope

Tag: Romantic

  • Of Horses and Men (Hross í oss). Dir. Benedikt Erlingsson. Film Europe. 2013.

    Benedikt Erlingsson’s directorial debut Of Horses and Men (2013) is best described as a series of interlocking fables, focusing on six sets of neighbours living in an isolated Icelandic valley. Linked by their passion for horsemanship, the vignettes introduce us to: a courting couple with equally frisky horses; an alcoholic whose penchant for hard liquor…

  • King Kong. Dir. Peter Jackson. Universal Pictures. 2005.

    King Kong is the modern remake of the 1933 classic, which follows Carl Denham (Jack Black) in his attempts to film a movie by coercing his cast and crew into following him on his voyage. His voyage is an attempt to find the mysterious Skull Island where he hopes to film the ‘last blank space on…

  • The Cat Returns. Dir. Hiroyuki Morita. Toho. 2002.

    The Cat Returns (2002) is a Japanese fantasy film animated by Studio Ghibli, which follows dissatisfied schoolgirl Haru Yoshioka, who after saving a cat from a road collision, discovers she has the ability to talk to cats. Upon saving the feline it is revealed that this individual is none other than Prince Lune, Heir to the…

  • Barnyard. Dir. Steve Oedekerk. Paramount Pictures, Nickelodeon Movies. 2006.

    Steve Oedekerk’s Barnyard uses witty puns and gags in order to satirise the idea of the animal as a fixed definition, in that an animal can never truly be anything more than a representation of the attributes that humanity typically associates with its species.

  • 28 Days Later. Dir. Danny Boyle. Fox Searchlight Pictures. 2002.

    You wouldn’t expect one of British cinema’s most poignant and idyllic moments to lie in the centre of a post-apocalyptic horror film, yet it does. Danny Boyle’s 28 Days Later cuts in the melancholy scene at its centre, with four wild horses providing respite for the film’s central four characters by subverting the film’s primary genre…

  • Wolf Children. Dir. Mamoru Hosoda. Toho. 2012.

    Wolf Children describes the maturation of two werewolf children, Yuki and Ame, and their human-being mother, Hana, with great sensitivity. The werewolf children struggle between their two identities – human and wolf. They can turn into either of them whenever they want which implies that it is their responsibility to choose which identity they will…

  • King Kong. Dir. Peter Jackson. Universal Pictures. 2005.

    King Kong (2003) is a remake of a 1933 film of the same name where a giant prehistoric gorilla is taken from its native island in captivity to New York where it consequently escapes. The climactic scene where Kong is protecting Anne on top of the Empire State Building is a crucial moment as it…

  • The Shape of water. Dir. Guillermo del Toro. Fox Searchlight Pictures. 2017.

    In this scene, the development of inter-species love between the film’s main characters, Eliza and the amphibian-man, culminates in their under-water embrace as the amphibian-man magically gives Eliza gills. This scene blurs the human-animal distinction as both individuals are now cross-species and it subverts the hierarchical binary between humans and animals through their cross-species love…

  • Roald Dahl’s Esio Trot. Dir. Dearbhla Walsh. Red Arrow International. 2015.

    Slow and steady wins the race……… Dearbhla Walsh’s 2015 television film adaptation of Roald Dahl’s Esio Trot depicts the tale of two elderly neighbours, Mrs. Silver (Judi Dench) and Mr. Hoppy (Dustin Hoffman), as they progress towards a romantic relationship. The main obstacle to this relationship is Mrs. Silver’s infatuation with her pet tortoise, Alfie, and her…

  • Bringing up Baby. Dir. Howard Hawks. RKO Radio Pictures. 1938.

    Bringing up Baby is a film which explores the relationship between humans and animals through the use of doubling. This is particularly evident in the scene where Susan lets a wild leopard escape from a circus and culminates in the scene where the leopard is wrangled into a jail cell by David. The use of doubling…