Tag: Rat(s)

  • Ratatouille. Dir. Brad Bird, Jan Pinkava. Pixar. 2007.

    Brad Bird’s Ratatotuille challenges how we stereotypically perceive rats through the depiction of the protagonist, Remy. The narrative shows Remy struggling with finding acceptance in human society, despite the exceptional cooking talents he has to offer. In anthropomophising Remy to directly challenge our negative perception of rats, Ratatouille promotes wider messages of hope and perseverance for the underdog, as…

  • Ratatouille. Dir. Brad Bird. Buena Vista Pictures. 2007.

    Brad Bird’s 2007 computer-animated film Ratatouille uses its mode as animation to estab­lish an alternate logic to the real world, enabling communication between humans and animals. The turning point that establishes this communication is when Lin­guini captures Remy in a jar. After asking a series of aggressive questions, Linguini calms down, and begins to take a more…

  • Ratatouille. Dir. Brad Bird. Buena Vista. 2007.

    In a world where humans are relentlessly attempting to control and train animals, it is intriguing to see this portrayed in reverse in Brad Bird’s, Ratatouille.[1] Remy the rat is depicted as significantly smarter than the human (Linguini), as he teaches him how to cook and navigate his way around a kitchen; whilst Linguini remains predominantly confused…

  • Flushed Away. Dir. David Bowers and Sam Fell. Paramount Pictures. 2006.

    Within Flushed Away, the scene of Roddy meeting Sid for the first time utilises their anthropomorphism to project, not only social class, but bullying societal pressures and to scrutinize those who do not conform. Illustrating Roddy’s adopted social class is the way in which he is anthropomorphised, assuming the role of the upper class. However, Roddy’s upper…

  • Ratatouille. Dir. Brad Bird. Buena Vista Pictures Distribution. 2007.

    Brad Bird’s Ratatouille is a film in which the human community collides with that of the rats, through Remy the rat’s aspiration to be a cook for humans despite his status as animal vermin (assigned to him by those he wishes to cook for). Remy the rat’s first encounter with a compassionate, caring ‘human’ arises from an…

  • Ratatouille. Dir. Brad Bird. Buena Vista Pictures. 2007.

    In the Ratatouille scene where Remy and Emile enter an old woman’s house, questions of animal invasion into human spaces are raised. The woman’s reaction is to kill the trespassing rats; a reaction which, in reality, we would be unlikely to query.                                                             Fig. 1 As uncaged rats they represent pests, undesirable to find in one’s home. The…

  • Ratatouille. Dir. Brad Bird . Walt Disney Pictures . 2007.

    Ratatouille’s exploration of human cruelty towards rats is encapsulated in the scene where an old lady discovers that her home is infested by rats.   The old lady is introduced through a static frame that captures her sleeping peacefully whilst highlighting her pink garments, both of which depict her as a stereotypical gentle grandma figure. …

  • Ratatouille. Dir. Brad Bird . Walt Disney Pictures . 2007.

    Ratatouille’s exploration of human cruelty towards rats is encapsulated in the scene where an old lady discovers that her home is infested by rats.   The old lady is introduced through a static frame that captures her sleeping peacefully whilst highlighting her pink garments, both of which depict her as a stereotypical gentle grandma figure. …

  • Ratatouille. Dir. Brad Bird and Jan Pinkava. Buena Vista Pictures Distribution. 2007.

    Brad Bird and Jan Pinkava’s 2007 animated family film Ratatouille follows the journey of a rat named Remy who has a dream of becoming a chef.[1] Like most family films, Ratatouille has an underlying moral message it aims to teach its audience. Ratatouille wants its audience to go away from the film with the idea that individuality is a good…

  • Fantastic Mr. Fox. Dir. Wes Anderson. 20th Century Fox. 2009.

    In his 2009 indie comedy, Fantastic Mr. Fox, Wes Anderson blurs the distinctive boundaries between the real and fictional presence of animals within the film. He creates tension between the real animal he is portraying and the anthropomorphised animal he has created in order to repurpose the way we think about animals. Rather than thinking of…