ZooScope

Tag: HAR: Metamorphosis/Transformation

  • Wolf Children. Dir. Mamoru Hosoda. Toho. 2012.

    Wolf Children describes the maturation of two werewolf children, Yuki and Ame, and their human-being mother, Hana, with great sensitivity. The werewolf children struggle between their two identities – human and wolf. They can turn into either of them whenever they want which implies that it is their responsibility to choose which identity they will…

  • Cinderella. Dir. Sir Kenneth Branagh . Walt Disney Studios Motion Pictures. 2015.

    During Ella’s journey from a happy, sweet child, to the mourning servant of her stepfamily, to cherished wife of the King, her fundamental characteristics are consistent. Her mother tells her to ‘have courage and be kind’. The message is not subtle: this exact phrase is repeated another 9 times in the film. For the sceptics…

  • Mad Max: Fury Road. Dir. George Miller. Warner Bros. 2015.

    Miller’s use of post-apocalyptic colour is deliberate and ground-breaking. Mad Max: Fury Road is saturated with reds and oranges. Immediately following a fight scene that results in a lead-character casualty, the colouring changes to a palette of deep blues and blacks. This immediately creates an association around the characters within of death; alongside the Crow…

  • Black Swan. Dir. Darren Aronofsky. Fox Searchlight Pictures. 2010.

    The movie Black Swan could be assigned to a psychological horror movie that was directed by Aronofsky and released in 2010. The film deals with the main protagonist Nina who is a promising ballet-dancer but at the same time very childish, shy and submissive. To be chosen for the lead role of “Swan Lake”, she…

  • Harry Potter and the Order of the Phoenix. Dir. David Yates. Warner Bros. Pictures. 2007.

    In Harry Potter and the Order of the Phoenix (2007), Harry contends with his isolation as a result of the ministry of magic, and a large portion of his fellow students, believing him to be lying about his experiences at the end of his last school year. These experiences include the return of the dark wizard, Voldemort,…

  • The Shape of Water. Dir. Guillermo Del Toro. Fox Searchlight Pictures. 2017.

    The Shape of Water is a fantastical love story set during The Cold War about Eliza, a mute cleaner at a government laboratory, who falls in love with a hybrid amphibian-man who was captured from the Amazon by the film’s villain, Colonel Strickland. General Hoyt wishes to exploit the amphibian-man to Western advantage in the Space…

  • Shrek 2. Dir. Andrew Adamson, Kelly Asbury, and Conrad Vernon. DreamWorks. 2004.

    The second film in the Shrek franchise, Shrek 2 focuses on a pair of ogres, Shrek and Fiona, and their life as newlyweds: it’s time to meet the in-laws. Fiona’s human parents, King Harold and Queen Lilian, are unpleasantly surprised by the fact their daughter and her husband are ogres, and their marriage has a few magical…

  • Black Swan. Dir. Darren Aronofsky. Fox Searchlight Pictures. 2010.

    Black Swan – Dir. Darren Aronofsky – 2010: When you watch certain movies over and over again, they are most probably good. When you have the urge to rewatch a movie right after seeing it for the first time, it is most certainly to be a masterpiece. Such masterpiece was created by Darren Aronofsky in…

  • The Shape of water. Dir. Guillermo del Toro. Fox Searchlight Pictures. 2017.

    In this scene, the development of inter-species love between the film’s main characters, Eliza and the amphibian-man, culminates in their under-water embrace as the amphibian-man magically gives Eliza gills. This scene blurs the human-animal distinction as both individuals are now cross-species and it subverts the hierarchical binary between humans and animals through their cross-species love…

  • The Witch. Dir. Robert Eggers. A24. 2015.

    Robert Eggers’s 2015 independent horror film The Witch encounters human-animal relations in reference to a manmade issue – religion and the occult. I argue that such a representation of humans living alongside animals in the context of a restricted, puritanical environment of their own making exists because of how the characters decide to build their own isolation.…