ZooScope

Tag: Feature Length

  • A Christmas Carol. Dir. Robert Zemeckis. Walt Disney Studios Motion Pictures. 2009.

    ‘Even the blind men’s dogs appeared to know him; and when they saw him coming on, would tug their owners into doorways and up courts; and then would wag their tails as though they said, “No eye at all is better than an evil eye, dark master!’ [1] Guide dogs have been a symbol of…

  • Wolfwalkers. Dir Tomm Moore and Ross Stewart. Apple TV+. 2020.

    Wolfwalkers. Dir Tomm Moore and Ross Stewart. Apple TV+. 2020.

    The woods are getting smaller every day. At the core of 2020’s Wolfwalkers is a fable about environmental degradation:  the mounting destruction of the natural world, and the subjugation of those who live in tune with it. From its very beginning, the film seeks to examine and even disrupt the human/animal boundary in a unique…

  • Nanny McPhee and The Big Bang. Dir. Susanna White. Universal Pictures. 2010.

    Susanna White’s Nanny McPhee And The Big Bang (2010) introduces Mr Edelweiss as Nanny McPhee’s mischievous sidekick. Mr Edelweiss is a Jackdaw crow, a member of the Corvid species, who are known for their thieving habits. This scene is particularly interesting as the human-animal relationship portrayed causes a shift in the predicted stock characters of…

  • Togo. Dir. Ericson Core. Walt Disney Studios. 2019

    In Togo (2019)[1], directed by Ericson Core, the eponymous canine hero recovers from a potentially devastating injury, portrayed as being due to Togo’s incredible relationship with trainer Seppala. Core utilises the emotional score composed by Mark Isham, as well as focusing on the ‘love story between a man and his dog’[2]. This sequence cements the…

  • Don’t Look Up, Adam McKay, 2021, Netflix

    “You’re going to die! You’re going to die!” Through a plot that follows the fight for a response to humanity’s impending doom when a comet is discovered to be heading for Earth, the message of Don’t Look Up is clear: unless those with power start listening to those calling for action against global disasters –…

  • Penguin Bloom. Dir. Glendyn Ivin. Netflix, Inc. 2021.

    Penguin Bloom. Dir. Glendyn Ivin. Netflix, Inc. 2021.

    Inspired by true events, Penguin Bloom tells the story of Sam Bloom, a mother and wife who became paralysed after a serious accident.  As she struggles through a difficult recovery, a small miracle occurs, a magpie called Penguin enters the Bloom family, changing the course of their lives forever. This scruffy looking creature builds an…

  • God’s Own Country. Dir. Francis Lee. Picturehouse Entertainment. 2017.

    As a film which centers around a farming family, God’s Own Country is inseparable from animal life. Francis Lee sets the 2017 rural drama during the lambing season at a farm, thus crafting a display of the distress caused by animal breeding and the inevitable horror of animal death. Customary to the Social Realist tradition,…

  • The One and Only Ivan. Dir. Thea Sharrock. Walt Disney Studios Motion Pictures. 2020.

    As the name of the film suggests, The One and Only Ivan showcases the individuality of animals and their much-like human personas, highlighting the injustice of their captivity. Standing out from Disney’s animated catalogue, the use of CGI (computer-generated) animals encourages the audience to interpret the unexaggerated personality of the animal protagonist by presenting them…

  • The Deer Hunter. Dir. Michael Cimino. EMI. 1978.

    Michael Cimino’s The Deer Hunter explores the impact of the Vietnam War on Americans, depicting protagonist Michael’s transformation from notoriously adept hunter and Russian-roulette crazed killer to sparing a deer’s life, delicately challenging the culturally normalised human-animal hierarchy. Specifically through mirroring shots of when he is moments away from firing at the deer, one prior…

  • Snatch. Dir. Guy Ritchie. Columbia Pictures. 2000.

    – “Okay, I reckon the hare gets fucked” – “What? Proper fucked?” In Guy Ritchie’s comedic crime thriller Snatch, he uses this hare coursing scene to draw parallels between the animality of the dogs and the gangsters, whilst also simultaneously using the mise-en-scene to create a contrast between the agility of animals alongside the clumsiness…