Tag: Feature Length

  • John Wick. Dir. Chad Stahelski. Summit Entertainment. 2014.

    John Wick is an exploration of domesticated animals and their hierarchical standing. The entire narrative centres around a revenge plot following the killing of Wick’s dog. It raises important questions of domestication, anthropomorphism, and worth. Following the opening montage of scenes detailing the loss of Wick’s wife, he is shown to have been given a…

  • Mad Max: Fury Road. Dir. George Miller. Warner Bros. 2015.

    Miller’s use of post-apocalyptic colour is deliberate and ground-breaking. Mad Max: Fury Road is saturated with reds and oranges. Immediately following a fight scene that results in a lead-character casualty, the colouring changes to a palette of deep blues and blacks. This immediately creates an association around the characters within of death; alongside the Crow…

  • Jurassic Park III. Dir. Joe Johnston. Universal Pictures. 2001.

    “This is how you make dinosaurs?”       “No. This is how you play God.” [1] Jurassic Park III revolves around the dinosaurs of the island ‘Isla Sorna’; genetically modified and inevitably abandoned in a previous movie of the franchise. It follows a wealthy family who have lost their son on the island, and try to pay their…

  • Hannah Montana: The Movie. Dir. Peter Chelsom. Walt Disney Pictures. 2009.

    Hannah Montana: The Movie is about Miley Stewart, a secret pop sensation known as Hannah Montana, getting caught up in the perks of her famous life. Her fed-up father, Robby Ray, forces Miley to visit her family on her hometown farm in Crowley Corners, Tennessee. Robby Ray threatens to take away Hannah Montana forever if Miley…

  • The Fox and the Child. Dir. Luc Jacquet. Pathé. 2007.

    Luc Jacquet’s The Fox and the Child depicts an unnamed girl (Bertille Noël-Bruneau) exploring the French countryside and following its animal inhabitants. She develops an obsession with the titular fox and it becomes more trusting, but the girl disastrously oversteps the boundary and attempts to make the wild animal her pet. The film is interested in binaries…

  • Black Swan. Dir. Darren Aronofsky. Fox Searchlight Pictures. 2010.

    The movie Black Swan could be assigned to a psychological horror movie that was directed by Aronofsky and released in 2010. The film deals with the main protagonist Nina who is a promising ballet-dancer but at the same time very childish, shy and submissive. To be chosen for the lead role of “Swan Lake”, she…

  • Beginners. Dir. Mike Mills. Focus Features. 2010.

    Beginners (2010) follows a middle-aged man named Oliver and his father’s dog, Arthur, a Jack Russell Terrier, after his father has passed from cancer. Arthur is portrayed in a very non-animalistic way. He never barks, only really making a sound when he is crying as Oliver tries to leave him at home alone. Arthur just…

  • The Golden Compass. Dir. Chris Weitz. Warner Bros. Pictures. 2007.

    The Golden Compass is set in a parallel universe where old fashioned styles (like cars and dresswear) mixes with modern technology, such as electric motors. In this universe everyone has what is called a daemon, who act as guides to their masters. These daemons take form in a specific animal that best represents their master’s personality.…

  • The Fox and the Child. Dir. Luc Jacquet. Pathé. 2007.

    When asked in an interview how he approached making The Fox and the Child (2007) following the popularity of The March of the Penguins (2005), French director Luc Jacquet replied: I went into my childhood; into a memory I have of having looked into the eyes of a wild fox when I was a kid. I also noticed that…

  • Mulan. Dir. Tony Bancroft and Barry Cook. Buena Vista Pictures. 1998.

    Disney’s Mulan (1998) takes on a Chinese folktale of a woman who takes the place of her father in the fight against the Huns who have recently invaded China. The film follows the adventures and troubles of Mulan, a young woman who breaks the stereotypes of Disney’s classic princess, as well as the expectations which…