Tag: Fantasy
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Harvey. Dir. Henry Kosta . Universal Pictures . 1950.
In Henry Kosta’s film Harvey (1950), the simple power of the imagination, entwined with the light-hearted childish nature of the protagonist Elwood P. Dowd (James Stewart) acts as a tool to undermine and distinguish the evident psychological disturbances that lie beneath the surface of the plot. Harvey, a six-foot three-and – a – half – inch tall hare,…
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Harry Potter and the Chamber of Secrets. Dir. Chris Columbus. Warner Bros. 2002.
Harry Potter and the Chamber of Secrets utilizes horror film narratives and their depiction of monstrous animals in order to reveal a deeper complex message regarding human-animal relationships. The franchise’s reliance on Ophidiophobia acts to highlight the negative animalisation assigned to animals such as snakes, whilst the treatment of the Basilisk by humans in the film…
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The Golden Compass. Dir. Chris Weitz. Warner Bros. Pictures. 2007.
The Golden Compass is set in a parallel universe where old fashioned styles (like cars and dresswear) mixes with modern technology, such as electric motors. In this universe everyone has what is called a daemon, who act as guides to their masters. These daemons take form in a specific animal that best represents their master’s personality.…
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Kiki’s Delivery Service. Dir. Hayao Miyazaki. Studio Ghibli. 1989.
In Kiki’s Delivery Service one of the representations of animals is Kiki’s cat and familiar, Jiji. A familiar is a supernatural entity that can aid a witch with her magic, often in the form of an animal, and in this film Kiki, the young witch, can communicate with Jiji, an adult male cat, but no one else…
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The Neverending Story. Dir. Wolfgang Petersen. Neue Constantin Film, Warner Bros. Pictures. 1984.
ZooScope ZOOM: The Neverending Story ‘The animal is distinct, and can never be confused with man. Thus, a power is ascribed to the animal, comparable with human power but never coinciding with it. The animal has secrets which, unlike the secrets of caves, mountains, seas, are specifically addressed to man,’[1] John Berger theorises on our understanding of…