ZooScope

Tag: Coming-of-Age

  • Anita and Me . Dir. Metin Hüseyin. BBC. 2002.

    Auntie Shaila and her family arrive early in the film, the last of many Indian families who have come to see Meena’s family. The scene recreates the overarching approach of the film, where humour serves to subdue and ridicule racism.

  • My Dog Skip. Dir. Jay Russell. Warner Bros. 2000.

    My Dog Skip is a true story based on the early life of Willie Morris and his pet dog, Skip. The film is narrated by that of an older Willie Morris, reminiscing on those early memories that have become so precious to him. Before Skip is introduced into the Morris’ lives, Willie lacks friends, especially…

  • Ratatouille . Dir. Brad Bird and Jan Pinkava . Walt Disney Pictures. 2007.

    The final shot of Ratatouille, the image of a rat in the restaurant sign, symbolises the fantasy of the rat and human worlds crossing, and the idealisation of a rat chef being accepted by human society. However, this is ultimately impossible, as darker themes lurk beneath this image. The sign features a silhouette of a rat…

  • Beauty and the Beast . Dir. Gary Trousdale and Kirk Wise. Buena Vista Pictures. 1991.

    Beauty and the Beast, Disney’s early 90s offering follows the protagonist Belle, a clever and beautiful woman. Frustrated at her small town life, she hungers for adventure. She rejects the relentless advances of Gaston, the loathsome but handsome villain and instead falls in love with a ‘hideous beast’; a former prince who has been cursed…

  • Kes. Dir. Ken Loach. Woodfall Films. 1969.

    Kes (dir. Ken Loach, 1969) depicts working class Billy using his kestrel training as a means of escaping the grim reality of life in the industrial north, while the juxtaposition of industry with local nature represents the man-made depression of the mining town. In the scene we see Billy’s first glimpse of the kestrels in flight.…

  • Duma. Dir. Caroll Ballard. Warner Bros Pictures. 2005.

    Duma. Dir. Caroll Ballard. Warner Bros. Pictures. 2005. Duma follows the narrative of a young boy named Xan embarking on an epic adventure to release his pet cheetah, Duma, to the wild. The ever-looming inevitability of Xan and Duma’s separation is the emotional core of the film, and Ballard’s depiction of their perilous journey together explores…

  • Donnie Darko. Dir. Richard Kelly. Newmarket Films, Pandora Cinema, United Artists. 2001.

    Set in 1988, Richard Kelly’s popular cult classic Donnie Darko deals with the teenage title character’s battle with diagnosed paranoid schizophrenia, fits of violent behaviour, and cynicism towards established institutions. Unlike other ‘ordinary’ 16 year olds, Donnie (Jake Gyllenhaal) has thoughts that are plagued by a man-sized rabbit (James Duval) that simultaneously saves him from, and then…

  • Scott Pilgrim vs The World. Dir. Edgar Wright. Universal. 2010.

    Joseph MackayMonday 16 January 2017 Scott Pilgrim vs The World, a film based on Bryan Lee O’ Malley’s six graphic novel series of the same name, is about the titular Scott attempting to win the heart of a girl named Romana Flowers – to accomplish this, he must defeat her ‘seven evil exes’. As the…

  • Beauty and the Beast . Dir. Gary Trousdale & Kirk Wise. Buena Vista Pictures. 1991.

    Ostensibly, the transformation of a dog into a footstool in Beauty and the Beast operates as a humorous pun.[1] Visually, it works: Sultan in footstool form is around the right size, his tassels stand in for a head and tail and his decorated legs make convincing paws. Furthermore, the transformation of a dog into a footstool plays on…

  • Ponyo. Dir. Hayao Miyazaki. Toho. 2008.

    ‘What? She is captured by a boy? This is very bad. Is it already dead?’ yells Ponyo’s father Fujimoto when realising his precious daughter is being kept as a pet fish. The line raises an interesting question, does cinema represent animal domestication as kidnapping or an addition of family member? Hayao Miyazaki’s animated fantasy film Ponyo retells…