• Mason’s Rats. Dir. Carlos Stevens. Netflix. 2022.

    Mason’s Rats. Dir. Carlos Stevens. Netflix. 2022.

    “Like World War fucking IV.” The Love, Death and Robots’ episode, Mason’s Rats, centres around conflict regarding control and the co-existence of humans and animals, specifically rats, in a world dominated by technologically advanced humans. Significantly, the identities of the two clashing forces – the rats and Mason – are used to portray the errors of internecine fighting, with…

  • 28 Days Later. Dir. Danny Boyle. Fox Searchlight Pictures. 2002.

    Boyle’s 28 Days Later presents a devastated post-apocalyptic world in which a highly infectious rage virus spreads through humanity, causing those infected to be struck with mindless violent rage. The opening laboratory scene depicts the origin of the virus and moment the infection is first transmitted to humans.  The spread to humans happens through chimpanzees…

  • We Need To Talk About Kevin. Dir. Lynne Ramsay. 2011. Youtube.

    We Need To Talk About Kevin. Dir. Lynne Ramsay. 2011. Youtube.

    “Dearly beloved, we are gathered here to mourn Mr. Snuffles, who was snuffed out.“ Lynne Ramsay’s psychological thriller We Need to Talk About Kevin portrays the debate of nurture versus nature through the relationship of an emotionally distant mother and psychopathic son. The purposeful inclusion of a guinea pig who serves as a vessel for…

  • Me and You and Everyone We Know. Dir. Miranda July. IFC Films. 2005

    Me and You and Everyone We Know – fish scene Goldfish have been domesticated by humans for thousands of years, and Me and You and Everyone We Know invites an engrossing encounter with the sea animal as it appears in a plastic bag swaying on top of a fast-moving car. This clip of a fleeting…

  • Sing. Dir. Garth Jennings. Illumination Entertainment. 2016

    Sing. Dir. Garth Jennings. Illumination Entertainment. 2016

    Illumination Entertainment’s Sing is a computer animated film that follows a group of anthropomorphic animals taking part in a singing competition that interferes in the contestants’ privates lives, representing society and human struggles through them. In this scene, the money heist, gorillas perform mundane human tasks like singing and driving. Johnny is a large and…

  • The Sea Beast. Dir. Chris Williams. Netflix. 2022.

    Chris Williams’ Netflix movie The Sea Beast is a film which follows the generational indoctrination of a society, in which the ruling classes have fabricated a war against sea beasts in order to maintain their power and control of humans and animals alike. In this scene however, the human/animal relationship of mistrust and antagonism begins to break…

  • Wendy and Lucy, Dir. Kelly Reichardt, Oscilloscope Pictures (2008)

    Wendy and Lucy, Dir. Kelly Reichardt, Oscilloscope Pictures (2008)

    A Photo of Lucy who stands at the front of the shot panting, and her owner Wendy who stands behind her, separated by a chain-linked fence. (1) Wendy and Lucy (2008) Whilst spending the majority of the film searching for her lost companion after getting arrested for stealing dog food she can’t afford from a…

  • Bird Box. Dir. Susanne Bier. Netflix. 2018.

    Bird Box. Dir. Susanne Bier. Netflix. 2018.

    Susanne Bier’s Bird Box follows Malorie Hayes as she navigates the events and aftermath of an outbreak of creatures, which seem to take on the form of a person’s worst fear, deepest sadness or greatest loss, and thereby drive humans to suicide when the people look at them. However, the monsters themselves are never seen…

  • Spirited Away. Dir Hayao Miyazaki. Toho Company Ltd. 2001.

    Spirited Away. Dir Hayao Miyazaki. Toho Company Ltd. 2001.

    Miyazaki’s 2001 Spirited Away, blurs the binary of human, animal, mythology, and spirit. Each character has its own version of this intersectionality, creating different presentations of ontology that in turn create varying perceptions. The film encourages us to reflect on how our own perceptions of fear in cinematic animal species are moulded through the presentation…

  • Every Which Way but Loose. Dir. James Fargo. Warner Bros. 1978.

    James Fargo’s 1978 film Every Which Way but Loose follows Clint Eastwood’s character Philo Beddo and his orangutan companion Clyde in their search for love. The audience’s expectations of human-animal relationships depicting docile animals who are human playthings are immediately subverted by Philo’s interactions with Clyde, the orangutan.  Clyde throughout the film is given a freedom not…

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