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Ratatouille. Dir. Brad Bird. Buena Vista Pictures. 2007.
Brad Bird’s 2007 computer-animated film Ratatouille uses its mode as animation to establish an alternate logic to the real world, enabling communication between humans and animals. The turning point that establishes this communication is when Linguini captures Remy in a jar. After asking a series of aggressive questions, Linguini calms down, and begins to take a more…
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Ratatouille. Dir. Brad Bird. Buena Vista. 2007.
In a world where humans are relentlessly attempting to control and train animals, it is intriguing to see this portrayed in reverse in Brad Bird’s, Ratatouille.[1] Remy the rat is depicted as significantly smarter than the human (Linguini), as he teaches him how to cook and navigate his way around a kitchen; whilst Linguini remains predominantly confused…
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Ratatouille . Dir. Brad Bird and Jan Pinkava . Walt Disney Pictures. 2007.
The final shot of Ratatouille, the image of a rat in the restaurant sign, symbolises the fantasy of the rat and human worlds crossing, and the idealisation of a rat chef being accepted by human society. However, this is ultimately impossible, as darker themes lurk beneath this image. The sign features a silhouette of a rat…
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Flushed Away. Dir. David Bowers and Sam Fell. Paramount Pictures. 2006.
Within Flushed Away, the scene of Roddy meeting Sid for the first time utilises their anthropomorphism to project, not only social class, but bullying societal pressures and to scrutinize those who do not conform. Illustrating Roddy’s adopted social class is the way in which he is anthropomorphised, assuming the role of the upper class. However, Roddy’s upper…
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IRIS. Dir. Albert Maysles. Magnolia Pictures. 2014.
There are few people who wouldn’t be intrigued by Iris Apfel. The nonagenarian fashion icon with statement eyewear, accessories hanging like Christmas decorations, and a unique outlook on life. It is no wonder then why legendary documentarian Albert Maylses focuses on her as subject of his penultimate documentary film, IRIS (2014). Plunging us deep into her creative…
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