Category: Language: English

  • Tarzan. Dir. Kevin Lima, Chris Buck. Disney. 1999.

    Tarzan-Two Worlds Tarzan is best characterised by the title of the film’s opening song Two Worlds, sang by Phil Collins. This is the story of flora and fauna, represented by gorillas, colliding with mankind in Disney’s 1999 classic. The film sees an orphaned human baby in Africa adopted into an ape family by a Gorilla mother. The…

  • Sweetgrass. Dir. Lucien Castaing-Taylor and Ilisa Barbash. Cinema Guild. 2009.

    Spend three years following some Montana shepherds, then five years editing over 200 hours of footage, and you end up with Sweetgrass.1 This documentary film examines the reality of the human-animal relationship between a shepherd and his flock – a relationship in which both parties are completely dependent upon each other. With an unflinching eye and slow…

  • White Fang. Dir. Randal Kleiser. Buena Vista Studios. 1991.

    Baring his teeth to a Grizzly Bear on its hind legs, White Fang- a hybridised wolf-dog, forsakes his life to defend a young boy, Jack Conroy. Jack’s endures a perilous journey across Alaskan terrain to discover his Father’s claim during the 1898 Klondike Gold Rush, and an orphaned wolf-dog puppy whose trust renders him a…

  • Stalker. Dir. Andrei Tarkovsky. Mosfilm. 1979.

    Andrei Tarkovsky’s science-fiction film, Stalker (1979), is marked by depression, desolation and barren wastelands.[1] The film’s loose narrative follows three men into The Zone, a disturbingly conscious and supernatural area of nuclear disaster. Whilst there, the eponymous Stalker encounters a black dog at various points on the journey. As the Stalker waits for his wife in the bar,…

  • Life Doesn’t Frighten Me. Dir. Stephen Dunn. LDFM Films. 2012.

    Stephen Dunn’s 2012 Canadian short film, Life Doesn’t Frighten Me, presents viewers with a campy peek into the life of thirteen-year old Esther as she embarks upon her journey into womanhood. Taking place over the course of her thirteenth birthday, the film primarily revolves around Esther’s apprehensive feelings towards her imperfect appearance and her newly…

  • The Lobster. Dir. Yorgos Lanthimos. Picturehouse Entertainment. 2015.

    The Lobster is a modern parable in which societal norms are completely called into question by absurdity of form. In the not too distant, or not too past, world of The Lobster, single people are sent to a hotel in which they must find a mate in 45 days or otherwise be turned into an animal of…

  • Samsara. Dir. Ron Fricke. Oscilloscope Laboratories. 2011.

    Samsara (2011) is a non-narrative documentary directed by Ron Fricke.[1] “Samsara” is a Sanskrit word for the cycle of birth, life and death. Through this theme, the film aims to ‘illuminate the links between humanity and the rest of nature, showing how our life cycle mirrors the rhythm of the planet’.[2] One particular sequence depicts the different…

  • The Lion King. Dir. Roger Allens and Rob Minkoff. Buena Vista Pictures. 1994.

    The Lion King[i] tells the story of Simba, a lion cub born into the monarchy and heir to his father Mufasa, ruler of all the animals in the Pride Lands. From learning how to pounce, to going on adventures with his best friend Nala, Simba has the perfect life, up until Mufasa is killed by Scar,…

  • Charlotte’s Web. Dir. Gary Winick. Paramount Pictures. 2006.

    Based on the classic children’s story by E. B. White, Charlotte’s Web (2006) follows the journey of a runty piglet, Wilbur (Dominic Scott Kay), saved by the farmer’s daughter Fern (Dakota Fanning) and raised on the nearby farm. Wilbur remains friendless until he meets Charlotte (Julia Roberts), the spider who lives in the barn. Although initially…

  • The Grey. Dir. Joe Carnahan. Inferno. 2012.

    ‘You are going to die. That is what’s happening.’ After spending five monotonous weeks working as a hired wolf exterminator ‘doing some of that sniper shit’[i] at an oil refinery in Alaska, near suicidal John Ottoway (Liam Neeson) boards a plane bound for home, along with his fellow men ‘unfit for mankind.’[ii] When their flight clashes violently…