Category: Imaginary Animals: No
-
Stalker. Dir. Andrei Tarkovsky. Mosfilm. 1979.
Andrei Tarkovsky’s science-fiction film, Stalker (1979), is marked by depression, desolation and barren wastelands.[1] The film’s loose narrative follows three men into The Zone, a disturbingly conscious and supernatural area of nuclear disaster. Whilst there, the eponymous Stalker encounters a black dog at various points on the journey. As the Stalker waits for his wife in the bar,…
-
Life Doesn’t Frighten Me. Dir. Stephen Dunn. LDFM Films. 2012.
Stephen Dunn’s 2012 Canadian short film, Life Doesn’t Frighten Me, presents viewers with a campy peek into the life of thirteen-year old Esther as she embarks upon her journey into womanhood. Taking place over the course of her thirteenth birthday, the film primarily revolves around Esther’s apprehensive feelings towards her imperfect appearance and her newly…
-
The Lobster. Dir. Yorgos Lanthimos. Picturehouse Entertainment. 2015.
The Lobster is a modern parable in which societal norms are completely called into question by absurdity of form. In the not too distant, or not too past, world of The Lobster, single people are sent to a hotel in which they must find a mate in 45 days or otherwise be turned into an animal of…
-
Samsara. Dir. Ron Fricke. Oscilloscope Laboratories. 2011.
Samsara (2011) is a non-narrative documentary directed by Ron Fricke.[1] “Samsara” is a Sanskrit word for the cycle of birth, life and death. Through this theme, the film aims to ‘illuminate the links between humanity and the rest of nature, showing how our life cycle mirrors the rhythm of the planet’.[2] One particular sequence depicts the different…
-
The Lion King. Dir. Roger Allens and Rob Minkoff. Buena Vista Pictures. 1994.
The Lion King[i] tells the story of Simba, a lion cub born into the monarchy and heir to his father Mufasa, ruler of all the animals in the Pride Lands. From learning how to pounce, to going on adventures with his best friend Nala, Simba has the perfect life, up until Mufasa is killed by Scar,…
-
Charlotte’s Web. Dir. Gary Winick. Paramount Pictures. 2006.
Based on the classic children’s story by E. B. White, Charlotte’s Web (2006) follows the journey of a runty piglet, Wilbur (Dominic Scott Kay), saved by the farmer’s daughter Fern (Dakota Fanning) and raised on the nearby farm. Wilbur remains friendless until he meets Charlotte (Julia Roberts), the spider who lives in the barn. Although initially…
-
The Grey. Dir. Joe Carnahan. Inferno. 2012.
‘You are going to die. That is what’s happening.’ After spending five monotonous weeks working as a hired wolf exterminator ‘doing some of that sniper shit’[i] at an oil refinery in Alaska, near suicidal John Ottoway (Liam Neeson) boards a plane bound for home, along with his fellow men ‘unfit for mankind.’[ii] When their flight clashes violently…
-
Who Framed Roger Rabbit. Dir. Robert Zemeckis. Buena Vista Pictures Distribution, Inc.. 1988.
Robert Zemeckis’s Who Framed Roger Rabbit (1988) is set in the ‘Toon’-dominated animated film industry of Hollywood in 1947, 40 years previous to the film’s actual release. [1] Eddie Valiant (Bob Hoskins), [2] a private investigator and the film’s human protagonist, ends his hiatus from sleuthing, caused by his brother: his professional partner’s Toon-related death, after receiving a…
-
The Birds. Dir. Alfred Hitchcock. Universal Pictures. 1963.
The Birds (1963) is undoubtedly a horror film because it contains a deep sense of the uncanny, a term Freud coins as something that is terrifying because it is familiar.[i] The Birds contains many pockets of fear and gruesome imagery throughout the film. Hitchcock’s use of human bodies being pecked at by birds are an example of the…