Category: Distributor: StudioCanal

  • Paddington Bear. Dir. Paul King. S. 2014

    Paddington, directed by Paul King, captures the life of an orphaned bear who travels from Peru to London sponsored by his Aunt Lucy to seek a better life the mythic aspirations of most immigrants. As a young bear club Paddington is presented as a wilful, yet kind hearted character who exhibits dignity despite being faced…

  • Song of the Sea. Dir. Tomm Moore. StudioCanal. 2014

    Song of the Sea. Dir. Tomm Moore. StudioCanal. 2014

    Song of the Sea is full of magic, mystery and mayhem. Ben, a ten year old Irish boy, discovers that his mute sister Saoirse is a selkie. After Saoirse’s true nature is revealed, her father, blinded by fear, retaliates and hides the coat that enables her to transform. This separation causes Saoirse to fall ill.…

  • Nanny McPhee and The Big Bang. Dir. Susanna White. Universal Pictures. 2010.

    Susanna White’s Nanny McPhee And The Big Bang (2010) introduces Mr Edelweiss as Nanny McPhee’s mischievous sidekick. Mr Edelweiss is a Jackdaw crow, a member of the Corvid species, who are known for their thieving habits. This scene is particularly interesting as the human-animal relationship portrayed causes a shift in the predicted stock characters of…

  • Ernest and Celestine. Dir. Benjamin Renner. StudioCanal. 2012

    Ernest and Celestine[2] (2012) is a French animated film that presents the unorthodox relationship between a bear and a mouse. Introduced as a struggling musician, Ernest is starving and on the hunt for food; Celestine is on the hunt for teeth when they form an unlikely pairing to help one another. Due to societal constraints and animal…

  • Ernest and Celestine. Dir. Benjamin Renner. StudioCanal. 2012.

    The animated film Ernest and Celestine[1] (2012) uses animals to offer a socio-political examination of French society. A predator-prey construct is conveyed through the division of social classes in the species contrast between a mouse- Celestine, and a bear- Ernest. By depicting stereotypes of animality and inverting the norms to show an unorthodox friendship, Renner exposes human class limitations.…

  • Paddington. Dir. Paul King. StudioCanal. 2014.

    The 2014 film ‘Paddington’ appears to champion inclusivity and acceptance of migrants over merely wanting to observe or distance ourselves from animals and people that are different from us, just as Millicent does with her taxidermy. In essence, Paddington is a migrant, ‘an outsider trying to find a new home’ [1] in England after the…

  • Shaun the Sheep The Movie. Dir. Mark Burton and Richard Starzak. Studiocanal. 2015.

    Restaurant scene Starzak and Burton challenge our perceptions of human and animal intelligence in Shaun the Sheep The Movie. Aardman excel in casting the animals as intelligent and exasperated by humans, meanwhile humans are portrayed as less so, and oblivious to animal antics happening directly in front of them. The scene in which the sheep dine…

  • Shaun the Sheep The Movie. Dir. Mark Burton and Richard Starzak. Studiocanal. 2015.

    Shaun the Sheep The Movie trailer Following his introduction in Nick Park’s Wallace and Gromit: A Close Shave, the woolly star, Shaun the Sheep, received his own spin off show creatively named Shaun the Sheep. Nearing the 20th anniversary of the nation’s introduction to him, the eponymous sheep was given his own movie. Shaun the Sheep The Movie follows the antics…