Tag: Suspense/Thriller

  • The Edge. Dir. Lee Tamahori. 20th Century Studios.1997

    The Edge. Dir. Lee Tamahori. 20th Century Studios.1997

    A classic tale of attempting to survive against the odds, The Edge (1997), follows erudite billionaire Charles Morse (Anthony Hopkins),duplicitous photographer Robert Green (Alec Baldwin) and personal assistant Stephen (Harold Perrineau) as they trek through the wilderness pursued by a bear (Bart the Bear). The men are part of a larger group, including Charles’ model…

  • Nope. Dir. Jordan Peele. Universal Pictures. 2022

    Nope. Dir. Jordan Peele. Universal Pictures. 2022

    Jordan Peele’s latest film nope follows siblings OJ and Emerald Haywood in the aftermath of their father’s unexpected death. The siblings ‘We ain’t got no more problems’ is the foreboding line said by Otis Haywood moments before his untimely death and the supernatural haunting begins on the Haywood family ranch. Jordan Peele’s latest film Nope…

  • 28 Days Later. Dir. Danny Boyle. Fox Searchlight Pictures. 2002.

    Boyle’s 28 Days Later presents a devastated post-apocalyptic world in which a highly infectious rage virus spreads through humanity, causing those infected to be struck with mindless violent rage. The opening laboratory scene depicts the origin of the virus and moment the infection is first transmitted to humans.  The spread to humans happens through chimpanzees…

  • Blade Runner 2049. Dir. Denis Villeneuve. Alcon Entertainment. 2017.

    Blade Runner 2049. Dir. Denis Villeneuve. Alcon Entertainment. 2017.

    Denis Villeneuve’s Blade Runner 2049 (2017) transports us to a dystopian earth, where humans and replicants, bio-engineered humans used for slave labour, live side by side. There is a clear dichotomy within the dystopia since replicants’ entire existence is based on the premise that they are genetically coded to obey orders, rendering them docile slaves,…

  • Crimson Peak. Dir. Guillermo Del Toro. Legendary. 2015.

    “It is a monstrous love and it makes monsters of us all” Guillermo Del Toro’s gothic romance Crimson Peak is a carefully designed visual masterpiece that centres around American heiress Edith Cushing (Mia Wasikowska), an aspiring author who becomes romantically involved with English baronet Thomas Sharpe (Tom Hiddleston) when he visits New York seeking investment…

  • Willard. Dir. Glen Morgan. New Line Cinema. 2003.

    Glen Morgan’s disturbing horror film Willard portrays the life of social misfit Willard Stiles (played by Crispin Glover), and a colony of trained rats who live in the basement of his somewhat derelict mansion. Whilst at first Willard intends to dispose of the rodents, he instead connects with a distinctive white rat whom he names…

  • The Shallows. Dir. Jaume Collet-Serra. Columbia Pictures. 2016.

    The Shallows uses the tale of Nancy (Blake Lively), a surfer alone and vulnerable in the picturesque coasts of Mexico only to be aggressively hunted by a great white shark with a taste for skinny blonde models (shock). Since Jaws, sharks have become a symbol of fear – an immediate indication of danger within the cinematic…

  • The Lighthouse. Dir. Robert Eggers. A24. 2019.

    “𝑩𝒆𝒔𝒕 𝒚’𝒍𝒆𝒂𝒗𝒆 𝒕𝒉𝒆 𝒈𝒖𝒍𝒍𝒔 𝒃𝒆. 𝑰𝒏 ’𝒆𝒎𝒔 𝒕𝒉𝒆 𝒔𝒐𝒖𝒍𝒔 𝒐𝒇 𝒔𝒂𝒊𝒍𝒐𝒓𝒔 𝒘𝒉𝒂𝒕 𝒎𝒆𝒕 𝒕𝒉𝒆𝒊𝒓 𝒎𝒂𝒌𝒆𝒓.” The Lighthouse is a film about madness and evil. The film uses the arrival and death of a seagull, at the hands of Thomas, to explore the threshold between sanity and madness, and our capacity for evil. Thomas’ sanity is questioned…

  • The Watchmen. Dir. Zach Snyder. Warner Bros. 2009.

    What can dogs tell us about criminality? With regards to Zach Snyder’s Watchmen, the answer is ‘quite a lot.’ Dogs are used within the film to align the binaries of legality and criminality with humanity and animality. There is a particular focus on the possibilities of transgression, as both the anti-hero and the villain commit…

  • The Thing. Dir. John Carpenter. Universal Pictures. 1982.

    The Thing (John Carpenter, 1982) uses dogs as an emotional catalyst to evoke a heightened sympathetic response from its audience. The alien organism – adopting the exterior of a dog – exploited the trustworthy, friendly associations that humans have with dogs in order to infiltrate the research lab after observing human-animal relationships. Clark, a researcher,…