ZooScope

Tag: HAR: Enviromental Hygiene

  • Paddington Bear. Dir. Paul King. S. 2014

    Paddington, directed by Paul King, captures the life of an orphaned bear who travels from Peru to London sponsored by his Aunt Lucy to seek a better life the mythic aspirations of most immigrants. As a young bear club Paddington is presented as a wilful, yet kind hearted character who exhibits dignity despite being faced…

  • An American Tail. Dir. Don Bluth. Universal Pictures.1986

    An American Tail. Dir. Don Bluth. Universal Pictures.1986

    An American Tail tracks the adventures of Fievel Mousekewitz a brave (and reckless) little mouse, his Russian-Jewish family, and their treacherous journey from Russia to New York in the search for the American Dream that will put some distance between them and cats… or so they thought. The film tells a story within a story,…

  • An American Tail. Dir. Don Bluth. Universal Pictures.1986

    An American Tail. Dir. Don Bluth. Universal Pictures.1986

    “There are no cats in America“ Don Bluth’s An American Tail is a 2D animation family film in which the human drama of religious persecution, poverty and immigration at the end of the 19th century is narrated through the eyes of a Russian Jewish family of mice, the Mousekewitz, and particularly through Fievel, the seven-year-old…

  • The Simpsons Movie. Dir. David Silverman. 20th Century Fox. 2007.

    Why does everything I whip leave me? – Homer Simpson, The Simpsons Movie The Simpsons Movie is characterised by imprisonment vs agency – the central plot revolves around the incarceration of the town of Springfield using a giant glass dome as a punishment for environmental damage – therefore it seems only right to extend the…

  • The Ant Bully. dir. John A. Davis. Warner Bros. Pictures. 2006.

    The Ant Bully chronicles the adventure of Lucas Nickle, who demolishes an anthill one day in frustration over being bullied by the neighbourhood kids. In response, the ants shrink Lucas down and sentence him to live and work in the colony as one of their own, with the hope of creating “a brighter future for…

  • Mon Oncle . Dir. Jacques Tati. Gaumont (France), Continental Distributing (USA). 1958.

    The release of Mon Oncle (Gaumont, France) in 1958 saw the return of Monsieur Hulot to cinema screens, following the successful Les Vacances de Monsieur Hulot five years previously. The first of Tati’s films to be released in colour, the film follows the character of Hulot (Jacques Tati), an awkward but incredibly endearing man, and…

  • White God. Dir. Kornél Mundruczó. InterCom Zrt. 2014.

    White God (dir. Kornél Mundruczó, 2014) depicts the story of Hagen [Bodie and Luke], a mixed-breed dog, and his relationship with Lili [Zsófia Psotta], a young girl who is sent to live with her emotionally distant father [Sándor Zsótér].  Unwilling to pay the newly implemented ‘mongrel fee’ imposed by the Hungarian government in a desperate attempt…

  • Twelve Monkeys. Dir. Terry Gilliam. Universal Pictures . 1996.

    Twelve Monkeys begins: human beings whoop and rattle in cages, buried deep underground. Wild animals roam free in the streets; in the churches, on top of this underground prison. But who dug the hole? The animals or the human… …beings? The deadly virus which forced the survivors to flee underground came from the animals. But the…

  • Mon Oncle. Dir. Jacques Tati. Gaumont (France), Continental Distributing (USA). 1958.

    Mon Oncle (1958), as many of Jacques Tati’s films, focuses on the character of Monsieur Hulot, a bumbling but lovable man who fights a constant battle against the modern architecture and consumerist culture of post-war France. His use of the old cultural form of silent comedy to do so means that the film is predominantly…

  • 28 Days Later. Dir. Danny Boyle. Fox Searchlight Pictures. 2002.

    You wouldn’t expect one of British cinema’s most poignant and idyllic moments to lie in the centre of a post-apocalyptic horror film, yet it does. Danny Boyle’s 28 Days Later cuts in the melancholy scene at its centre, with four wild horses providing respite for the film’s central four characters by subverting the film’s primary genre…