ZooScope

Tag: Bear(s)

  • Paddington Bear. Dir. Paul King. S. 2014

    Paddington, directed by Paul King, captures the life of an orphaned bear who travels from Peru to London sponsored by his Aunt Lucy to seek a better life the mythic aspirations of most immigrants. As a young bear club Paddington is presented as a wilful, yet kind hearted character who exhibits dignity despite being faced…

  • Pirates! In an Adventure with Scientists!. Dir. By. Peter Lord. Columbia Pictures. 2012.

    Aardman never shy away from the ludicrous. So when a crew of incompetent pirates endeavour for protagonist The Pirate Captain to win the Pirate of the Year Award by relying on the commercial value of his prized dodo companion Polly (who should have been extinct for 150 years and is believed to be a parrot)…

  • Dumbo. Dir. Tim Burton. Walt Disney Studios. 2019.

    Magic. Mayhem. Friendship. Freedom. Come on down to Medici’s circus, where the newest attraction is an adorable baby elephant with ears too big to handle. Watch him soar above and follow his heart as he dreams of being reunited with his mother, so tragically torn apart! Follow him to Vandevere’s circus, where he is a…

  • Don’t Look Up, Adam McKay, 2021, Netflix

    “You’re going to die! You’re going to die!” Through a plot that follows the fight for a response to humanity’s impending doom when a comet is discovered to be heading for Earth, the message of Don’t Look Up is clear: unless those with power start listening to those calling for action against global disasters –…

  • Ted 2. Dir Seth MacFarlane. Universal Pictures. 2015.

    Ted 2 is the second instalment of the Ted series in which John (Mark Wahlberg), as a child wishes for his teddy bear, Ted (Seth MacFarlane), to come to life. What follows is thirty-something years of memories, shenanigans and improper behaviour. The first film follows the pair as John finally learns to ‘grow up’. We find…

  • Midsommar. Dir. Ari Aster. A24 Films. 2019

    – ‘So are we just going to ignore the bear then?’ – ‘It’s a bear.’ This sequence focalises through the eyes of the newcomers in unfamiliar territory and instills a sense of foreboding and uncomfortable mystery into the film through the conspicuous image of a caged bear. The questions brought about by the bear’s filmic…

  • Ernest and Celestine. Dir. Benjamin Renner. StudioCanal. 2012

    Ernest and Celestine[2] (2012) is a French animated film that presents the unorthodox relationship between a bear and a mouse. Introduced as a struggling musician, Ernest is starving and on the hunt for food; Celestine is on the hunt for teeth when they form an unlikely pairing to help one another. Due to societal constraints and animal…

  • American Honey. Dir. Andrea Arnold. British Film Institute. 2016.

    Prior to American Honey, Arnold’s filmography was distinctly British, primarily focused upon the harsh reality of poverty in Britain. However, American Honey deviates from this pattern, as it follows protagonist Star (Sasha Lane) on her journey with a travelling magazine sales crew across America. Star dices with danger, leaping headfirst into risky situations, whether it…

  • Brother Bear. Dir. Aaron Blaise, Robert Walker. Walt Disney Pictures. 2003.

    Brother Bear works to trouble the relationship between humans and bears through destabilising the idea that bears are inherently threatening and monstrous. The children’s animation follows Kenai, a young human boy who is transformed into a bear by spirits after killing a bear to avenge his brother’s death. Within this scene, Blaise and Walker use…

  • Ernest and Celestine. Dir. Benjamin Renner. StudioCanal. 2012.

    The animated film Ernest and Celestine[1] (2012) uses animals to offer a socio-political examination of French society. A predator-prey construct is conveyed through the division of social classes in the species contrast between a mouse- Celestine, and a bear- Ernest. By depicting stereotypes of animality and inverting the norms to show an unorthodox friendship, Renner exposes human class limitations.…