Author: Max Smith

  • Au Hasard Balthazar. Dir. Robert Bresson. Cinema Ventures. 1966.

    Au Hasard Balthazar (dir. Robert Bresson, 1966) juxtaposes the human treatment of animals with animal camaraderie between different species, emphasising a human/animal divide and how we think of animals as one homogeneous group that we are not apart of, despite biological taxonomy saying otherwise.

  • Kes. Dir. Ken Loach. Woodfall Films. 1969.

    Kes (dir. Ken Loach, 1969) depicts working class Billy using his kestrel training as a means of escaping the grim reality of life in the industrial north, while the juxtaposition of industry with local nature represents the man-made depression of the mining town. In the scene we see Billy’s first glimpse of the kestrels in flight.…