Author: Catherine Stanford

Synopsis “If we continue to test nuclear weapons, another Godzilla may arise.” The closing line of Honda’s Godzilla, emphasised by a prolonged close-up of the speaker’s face, is proudly overt in its political overtones. Produced in the wake of the 1945 bombings of Nagasaki and Hiroshima, Godzilla’s use of an indestructible, prehistoric creature as a metaphor for nuclear warfare…